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Bibliography

Halsey, Jeffrey O.

Year: 1982
Complete Citation:
Halsey, Jeffrey O. “Four compositional analyses, an educational approach.” M.M. thesis, Bowling Green State University, 1982.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hamilton, Susan

Year: 1981
Complete Citation:
Hamilton, Susan. “The 114 songs of Charles Ives.” B.A. Thesis, University of Waterloo, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hamm, Chelsey

Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2017
Complete Citation:
Hamm, Chelsey. “Charles Ives’s Songs for “Horn.”” The Horn Call 47, no. 3 (2017): 92.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Hamm, Chelsey L.

Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hanks, Sarah Elizabeth

Year: 1963
Complete Citation:
Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Harer, Carolyn Bertha

Year: 1955
Complete Citation:
Harer, Carolyn Bertha. “Charles Ives and a stylistic analysis of his three piano sonatas.” M.M. Thesis, North Texas State College, 1955.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hartford, Kassandra L.

Year: 2002
Complete Citation:
Hartford, Kassandra L. “Gertrude Stein and Charles Ives: American modernists.” B.A. Honors Thesis, Departments of American Studies and Music, Mount Holyoke College, 2002.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Harvey, Mark Sumner

Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.
Source: Ph.D. Dissertation
Reprints:

Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Harvin, Laurence E.

Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Heister, Hanns-Werner, Werner Kremp, eds.

Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
IV. Individual Studies by Genre
E. Songs

Henderson, Clayton

Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Henderson, Joyce Joy

Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Higgins, Raymond Harris

Year: 1975
Complete Citation:
Higgins, Raymond Harris. “A conductor's analysis of selected works by Dave Brubeck, Lukas Foss, Alan Hovhaness, Charles Ives and Daniel Pinkham.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hilliard, John Stanley

Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hinton, Hugh

Year: 2002
Complete Citation:
Hinton, Hugh. “Ives and transcendentalism: a third look.” D.M.A. dis-s., New England Conservatory of Music, 2002.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hitchcock, H. Wiley

Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. 
Source: Journal
IV. Individual Studies by Genre
E. Songs