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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

McDonald, Matthew James

Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Meine, Sabine

Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Meyer, Felix

Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs

Milligan, Terry Gilbert

Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Moore, MacDonald Smith

Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.
Source: Ph. D. Disseration
Reprints:

Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mulligan, Terry Gilbert

Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mumper, Dwight Robert

Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.
Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Muñiz, Jorge

Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.
Notes:

Includes references to Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Murphy, Scott

Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Nathan, Hans

Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Newman, Philip Edward

Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.
Notes:

Unpublished

Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Nicholls, David Roy

Year: 1986
Complete Citation:
Nicholls, David Roy. “New and Experimental Compositional Tech- niques in American Music from Charles Ives to the Second World War.” Ph.D. diss., University of Cambridge, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations