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Bibliography

Swanson, Alan

Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.
Notes:

Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Taylor, Paul Franklyn

Year: 1986
Complete Citation:
Taylor, Paul Franklyn. “Stylistic heterogeneity: the analytical key to movements IIa and IIb from the First Piano Sonata by Charles Ives.” D.M.A. diss., University of Wisconsin-Madison, 1986.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Theodore, Mary

Year: 2003
Complete Citation:
Theodore, Mary. “The violin and piano sonatas of Charles Ives: a methodical approach to performance with motivic analysis.” D.Mus. Thesis, Arts University of Washington, 2003.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thoegersen, Peter Alexander

Year: 2012
Complete Citation:
Thoegersen, Peter Alexander. “Polytempic polymicrotonal music: “a road less traveled”.” Urbana, Illinois: University of Illinois at Urbana-Champaign, 2012.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thomas, Philip

Year: 1996
Complete Citation:
Thomas, Phillip. “Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.” Ph.D. diss., University of Cincinnati, 1996.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thompson, Bradley L.

Year: 2006
Complete Citation:
Thompson, Bradley L. “A matter of time: a lecture-recital on temporal issues in selected songs of Charles Ives.” D.M.A. Thesis, University of Colorado, 2006.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thurmaier, David Paul

Year: 2006
Complete Citation:
Thurmaier, David Paul. “Time and Compositional Process in Charles Ives’s Holidays Symphony.” Ph.D. diss., Indiana University, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Varley, Dennis Matthew

Year: 1983
Complete Citation:
Varley, Dennis Matthew. “Charles E. Ives and Second pianoforte sonata, Concord, Mass., 1840-1860.” D.M.A. thesis, University of Colorado, 1983.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Vastano, Robert Guy

Year: 2002
Complete Citation:
Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Von Glahn, Denise

Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Walker, Gwyneth

Year: 1976
Complete Citation:
Walker, Gwyneth. “Tradition and the breaking of tradition in the string quartets of Ives and Schoenberg.” D.M.A. thesis, Hartt School of Music, University of Hartford, 1976.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wallach, Laurence

Year: 1973
Complete Citation:
Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations