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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Friedberg, Ruth C. and Robin Fisher

Year: 2012
Complete Citation:
Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Froelich, Andrew I.

Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gabbi, Marianna Paone

Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gaburo, Kenneth Louis

Year: 1962
Complete Citation:
Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.
Notes:

Chapter IV includes references to music by Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gail, Dorothea

Year: 2008
Complete Citation:
Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gardner, Kara Anne

Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living by the Ladies' Smiles: The Feminization of American Music and the Modernist Reaction.” Ph.D. diss., Stanford University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gartner, Kenneth Ralph

Year: 1979
Complete Citation:
Gartner, Kenneth Ralph. “The Expansion of Pianism since 1945.” Ph.D. diss., New York University, 1979.
Notes:

Ives is considered in the back-ground discussion of compositional processes of the first half of the twentieth century.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gillespie, Matthew D.

Year: 2014
Complete Citation:
Gillespie, Matthew D. “A Continuum of Tonal Coherence: Pitch Organization in ‘General William Booth Enters into Heaven’ by Charles Ives, and, ‘Chiaroscuro’ for Chamber Ensemble.” Ph.D. diss., University of Pittsburgh, 2014.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gilman, Janet Lynn

Year: 1994
Complete Citation:
Gilman, Janet Lynn. “Charles Ives - master songwriter: the methods behind his madness.” Ph.D. diss., University of Southern California, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gingerich, Lora Louise

Year: 1983
Complete Citation:
Gingerich, Lora Louise. “Processes of Motivic Transformation in the Keyboard and Chamber Music of Charles Ives.” Ph.D. diss., Yale University, 1983.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Glarner, Robert Lewis

Year: 1993
Complete Citation:
Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Goleeke, Thomas

Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.
Source: Book
IV. Individual Studies by Genre
E. Songs

Goleeke, Tom

Year: 1962
Complete Citation:
Goleeke, Tom. “A discussion of ten songs by three American composers.” D.M.A. thesis, Stanford University, 1962.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Graddy, Julia H.

Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Graham, Christopher F.

Year: 2006
Complete Citation:
Graham, Christopher F. “Transcribing Charles Ives Violin Sonatas Nos. 1 and 3 for Clarinet.” D.M.A. diss., University of Miami, 2006.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gratovich, Eugene

Year: 1968
Complete Citation:
Gratovich, Eugene. “The Soantas for Violin and Piano by Charles Ives: A Critical Commentary and Concordance of the Printed Editions and the Autographs and Manuscripts of the Yale Ives Collection.” D.M.A. diss., Boston University, 1968.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Green, Douglass M.

Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Greenberg, Jacob

Year: 2003
Complete Citation:
Greenberg, Jacob. “Charles Ives's songs: a pianist's perspective.” D.Mus. thesis, Northwestern University, 2003.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations