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Bibliography

Ericson, Raymond

Year: 1974
Complete Citation:
Ericson, Raymond. “Music: Illuminating and Nostalgic Ives at Festival.” The New York Times, October 11, 1974, 23.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Espina, Noni

Year: 1986
Complete Citation:
Espina, Noni. Vocal Solos for Christian Churches, 87-89. Metchuen, NJ: Scarecrow Press, 1986.
Notes:

With annotations for A Christmas Carol, Abide with Me, Forward into Light, His Exaltation, Hymn, Naught that Country Needeth, Religion,The Camp Meeting, The Collection, The Waiting Soul, and Watchman!

Source: Score
IV. Individual Studies by Genre
E. Songs

Euteneuer-Rohrer, Ursula Henrietta

Year: 1980
Complete Citation:
Euteneuer-Rohrer, Ursula Henrietta. “Charles E. Ives’ ‘The Cage’: Eine Werkbetrachtung.” Neuland 1 (1980): 47-52.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Fairfield, Patrick

Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Falck, Robert

Year: 1965
Complete Citation:
Falck, Robert. “Once Festival at Ann Arbor: Showcase for Newest Music.” The Boston Globe, 1965, A26.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Finnissy, Michael

Year: 1985
Complete Citation:
Finnissy, Michael. “Almeida Festival: Nancarrow and Ives.”Tempo 154 (September 1985): 45-46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Fleming, Shirley

Year: 1975
Complete Citation:
Fleming, Shirley. “Of Ives, Elephants, and Polish Independence: A Five Day Festival Covers It All.” High Fidelity/Musical America 25/2 (February 1975): 26-29.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Fogel, Henry

Year: 2018
Complete Citation:
Fogel, Henry. “Brad Robinson Discusses the Songs of Charles Ives.” Fanfare 42 (2018): 90-92.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Forte, Allen

Year: 1977
Complete Citation:
Forte, Allen. “Ives and Atonality.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 159-186. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1998
Complete Citation:
Forte, Allen. “The Musical Language of Two Ives Songs.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Freed, R.

Year: 1976
Complete Citation:
Freed, R. “Songs of Charles Ives: A Listening Experience One is as Eager to Share as to Report.” Stereo Review 37 (September 1976): 86.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Friedberg, Ruth C. and Robin Fisher

Year: 2012
Complete Citation:
Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Gann, Kyle

Year: 1994
Complete Citation:
“How Peculiar?” Village Voice 39/24 (June 14, 1994): 84.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Gantz, Jeffrey

Year: 2013
Complete Citation:
Gantz, Jeffrey. “Ives Celebration Looks at Lesser-Known Works.” The Boston Globe, October 22, 2013.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Gelles, George

Year: 1970
Complete Citation:
Gelles, George. “American Festival No. 27.” [Washington] Sunday Star. April 19, sec. D: 12.
Notes:

Includes a summary of works and performances for the first twenty--six years of the annual festival.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Glass, Herbert

Year: 1974
Complete Citation:
Glass, Herbert. “Currying Charles Ives, a Centenary Canonization.” Los Angeles Times, November 17, 1974, P54.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Goleeke, Thomas

Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.
Source: Book
IV. Individual Studies by Genre
E. Songs

Graddy, Julia H.

Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Green, Douglass M.

Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.
Source: Journal
IV. Individual Studies by Genre
E. Songs