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Bibliography

Kirkpatrick, John

Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.
Notes:

Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.

Source: Lecture
IV. Individual Studies by Genre
E. Songs

Kraft, Leo

Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.
Source: Book
IV. Individual Studies by Genre
E. Songs

Kraglund, John

Year: 1963
Complete Citation:
Kraglund, John. “Music in 1963: Ives Sonata Opens New Series.” The Globe and Mail, January 28, 1963: 9.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Kuypers, John M.

Year: 1948
Complete Citation:
Kuypers, John M. “The Festival of Contemporary Arts of the Univer-sity of Illinois.” Pan Pipes 41/2 (December 1948): 115-116.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Lerch, Louise

Year: 1996
Complete Citation:
Lerch, Louise. “Music “Reviews: “Forty Earlier Songs,” by Charles E. Ives, edited by John Kirkpatrick.”” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 53, No. 1 (1996): 55.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Macdonald, Calum

Year: 1995
Complete Citation:
Macdonald, Calum. Charles Ives: the unanswered question, Barbican Centre Friday 19 - Sunday 21 January, 1996. London, United Kingdom: BBC Radio 3, 1995.
Source: Program Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Maisel, Arthur

Year: 1989
Complete Citation:
Maisel, Arthur. “Conference: Ives.” Musical Times 130/106 (February 1989): 107.
Notes:

Report on meeting of the New York Chapter of the American Musicological Society in the Sulzburger Parlour of Barnard College, Columbia University, New York. Session regarding claims set forth by Maynard Solomon. H. Wiley Hitchcock, moderator, with a panel of James Sinclair, Paul Echols, Philip Lambert, J. Peter Burkholder, and Vivian Perlis. Solomon was present to respond.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Matter, Lothar

Year: 1988
Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

McLellan, Joseph

Year: 1974
Complete Citation:
McLellan, Joseph. “Unanswered Questions: Abounding Unanswered Questions about Charles Ives.” The Washington Post, October 20, 1974, E1.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Year: 1975
Complete Citation:
McLellan, Joseph. “Centennial: Schoenberg and Ives: Recordings Two Record Centennials: Schoenberg and Ives.” The Washington Post, August 24, 1975, 145.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Meine, Sabine

Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Mellers, Wilfrid

Year: 1985
Complete Citation:
Mellers, Wilfrid. “Almeida Theatre Festival.” Musical Times 126/1710 (August 1985): 478-479.
Notes:

Discusses Ives's works in general.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Metcalf, Steve

Year: 1996
Complete Citation:
Metcalf, Steve. “A Cause for Celebrity Demystifying Charles Ives, An Often Overlooked Native Son: Statewide Edition 1.” The Hartford Courant, September 30, 1996.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Metzer, David, moderator

Year: 2005
Complete Citation:
Metzer, David, moderator. “Ives.” Panel at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Meyer, Alfred H.

Year: 1932
Complete Citation:
Meyer, Alfred H. “Yaddo—a May Festival.” Modern Music 9 (May-June 1932): 172-176.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Meyer, Felix

Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs