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Bibliography

Meyer, Alfred H.

Year: 1932
Complete Citation:
Meyer, Alfred H. “Yaddo—a May Festival.” Modern Music 9 (May-June 1932): 172-176.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Meyer, Felix

Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs

Moore, Douglas Stuart

Year: 1948
Complete Citation:
1948 - Douglas S[tuart] Moore. “Columbia University Festival, Contemporary American Music.” Pan Pipes 41/2 (December): 113.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Morgan, Robert P.

Year: 1977
Complete Citation:
Morgan, Robert P. “Spatial Form in Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 145-158. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Murphy, Scott

Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Nathan, Hans

Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Newman, Philip Edward

Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.
Notes:

Unpublished

Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Niemöller, Klaus Wolfgang

Year: 1987-88
Complete Citation:
University of Cologne and Westdeutschen Rundfunk. Charles Ives und die amerikanische Musiktradition bis zur Gegenwart. Cologne and Duisburg, Germany: University of Cologne, 1987-88.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Niemöller, Klaus Wolfgang and Manuel Gervink

Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang and Manuel Gervink, eds. Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart": Köln 1988. Regensburg, Germany: G. Bosse, 1990.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Nixon, Marni

Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.
Notes:

Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)

Source: Book
IV. Individual Studies by Genre
E. Songs

O’Reilly, F. Warren

Year: 1976
Complete Citation:
O'Reilly, F. Warren. South Florida’s Historic Festival 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Park, Fye-kyung

Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Parr, Sean

Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “An Introduction to Charles Ives.” Pre-concert talk at The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Pre-concert talk.
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Pitney, Robert

Year: 1932
Complete Citation:
Pitney, Robert. “Musical Chronicles: Yaddo and Gurre.” Hound and Horn 5 (July-September 1932): 666.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rathert, Wolfgang

Complete Citation:
Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs