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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Smith, Ken

Year: 1996
Complete Citation:
Smith, Ken. “Bard Festival: Charles Ives: The Power to Offend.” American Record Guide (1996 November/De-cember) 59/6: 36-38.
Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Somigli, Paolo

Year: 1996
Complete Citation:
Paolo Somigli. Review of Charles Ives and His World Festival. Il saggiatore musicale (2002) 9/1-2: 265--270.
Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Stahl, Dorothy

Year: 1968
Complete Citation:
Stahl, Dorothy. A Selected Discography of Solo Song: A Cumulation through 1971. Vol. 24. Detroit, MI: Information Coordinators, Detroit Studies in Music Bibliography, 1968.
Notes:

Provides discographic information for fifty-five Ives songs, listed alphabetically. Thirty--two songs are cited in the earlier edition (Detroit Studies in Music Bibliography, Volume 13), and forty--one songs are cited in the Supplement 1968-1969 (1970).

Source: Book
IV. Individual Studies by Genre
E. Songs

Stainton, Leslie

Year: 2012
Complete Citation:
Stainton, Leslie. “The Things Our Fathers Loved.” River Teeth Journal 14, no. 1 (Fall 2012): 93-108, 149-150.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Style and Substance: ‘Ann Street’ by Charles Ives.” Perspectives of New Music, No. 4 (Spring-Summer 1977): 23-33.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Struck-Schloen, Michael

Year: 1988
Complete Citation:
Struck-Schloen, Michael. “Köln, 24. Bis 27. Februar 1988: Internationales Symposion: ‘Charles Ives Und Die Amerikanische Musik.’” Die Musikforschung, vol. 41, no. 4 (1988): 356-357.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Stuck-Schoen, M.

Year: 1988
Complete Citation:
Stuck-Schloen, M. “Review of ‘Internationale Symposium’: "Köln, 24. bis 27. Februar 1988: International Symposium Charles Ives und die amerikanische Musik.” Die Musikforschung 41/4: 356-357.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Swanson, Alan

Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.
Notes:

Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Swed, Mark

Year: 1996
Complete Citation:
Mark Swed. “Ives by BBC: Questions Raised and An-swered,” review of The Unanswered Question Festival; January 19 to 21: London. American Record Guide 59/4 (July-August): 38, 42.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Thompson, Howard

Year: 1980
Complete Citation:
Thompson, Howard. “Going Out Guide: Ives and Ivories Listening Rooms Learning, Staging, Playing.” The New York Times, April 16, 1980, C19.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Tuvelle, Howard

Year: 1974
Complete Citation:
Tuvelle, Howard. “Festival in Ives Country—Year-Long, Complete Festival in Miami.” Clavier 13/7 (1974): 12-13.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Von Glahn, Denise

Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs