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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
A. Orchestral and Band Works
B. Chamber Works
C. Keyboard Works
D. Choral Works
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
C. Anthology Selections
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kirkpatrick, John

Year: 1968
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.
Source: Score
IV. Individual Studies by Genre
E. Songs
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.
Notes:

Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.

Source: Lecture
IV. Individual Studies by Genre
E. Songs
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, Central Park in the Dark, edited by John Kirkpatrick and Jacques- Louis Monod, 32. Hillsdale, NY: Boelke- Bomart, 1973.
Source: Essay in Score
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Editor's Note.” In Charles E. Ives, Turn Ye, Turn Ye, edited by John Kirkpatrick, 2-4. Bryn Mawr, PA: Mercury Music, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1990
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles Ives, Study No. 23 for Piano, edited by John Kirkpatrick, 11--13. Bryn Mawr, PA: Merion Music, 1990.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John.

Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kraft, Leo

Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.
Source: Book
IV. Individual Studies by Genre
E. Songs

Kubik, Gail T.

Year: 1936
Complete Citation:
Kubik, Gail T. “Review of New Music Editions.” Musical Leader. March 28, 1936.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Lerch, Louise

Year: 1996
Complete Citation:
Lerch, Louise. “Music “Reviews: “Forty Earlier Songs,” by Charles E. Ives, edited by John Kirkpatrick.”” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 53, No. 1 (1996): 55.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Massey, Drew

Year: 2007
Complete Citation:
Massey, Drew. “The Problem of lves’s Revisions, 1973-1987.” Journal of American Musicological Society 60, no.3 (Fall): 599-645.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2007
Complete Citation:
Massey, Drew. “The Problem of Ives’s Revisions, 1973-1987.” Journal of the American Musicological Society, vol. 60, no. 3 (2007): 599-645.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2013
Complete Citation:
Massey, Drew. John Kirkpatrick, American music, and the printed page. Rochester, NY: University of Rochester Press, 2013.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2013
Complete Citation:
Massey, Drew. “Ives Fourth Symphony Charles Ives, Symphony no. 4, ed. William Brooks (mvt. 1), James B. Sinclair (mvt. 2), Kenneth Singleton (mvt. 3), Wayne D. Shirley (mvt. 4) (Charles Ives Society Critical Edition).” Notes, Vol. 69, No. 3 (2013): 621-624.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Meine, Sabine

Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Meyer, Felix

Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs