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Bibliography

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Trimble, Lester

Year: 1957
Complete Citation:
Trimble, Lester. “Review of ‘The Browning Overture,’ by Charles E. Ives” The Musical Quarterly, Vol. 43 (1957).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Ulrich, Homer

Year: 1956
Complete Citation:
Ulrich, Homer. “Trio, for Violin, Cello, Piano.” Notes 13, no. 3 (June 1956): 527.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1956
Complete Citation:
Ulrich, Homer. “Review of Trio for Violin, Cello, Piano by Charles Ives.” Notes 13/3 (June 1956): 527. 
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Urwin, Ray W.

Year: 1997
Complete Citation:
Urwin, Ray W. “Reviews of Organ Music: "Postlude in F" by Charles Ives.” Clavier, Vol. 36, No. 3 (1997): 42.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Von Glahn, D.

Year: 2006
Complete Citation:
Von Glahn, D. H. Wiley Hitchcock, Charles Ives: 129 Songs. In: American Music, Vol. 24, No. 2 (2006): 228-230.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Von Glahn, Denise

Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Walker, Ernest

Year: 1921
Complete Citation:
Walker, Ernest. 1921. “Review of Second Pianoforte Sonata, ‘Concord, Mass., 1840--1860’ and Essays Before a Sonata, by Charles Ives.” Music & Letters 2, no. 3: 287-288.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Warburton, Thomas

Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Orchestral Music by C. Ives.” Notes 36, no. 1 (September 1, 1979): 192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ward, Jennifer A.

Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Waters, Edward N.

Year: 1941
Complete Citation:
Waters, Edward N. “Panorama de las publicationes musicales.” Boletín Latino-Americano de Música 5/5 (October 1941): 289-322.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions