Jacobson, Bernard
Year: 1967
Complete Citation:
Jacobson, Bernard. “American Symphony Orchestra: Stokowski.” High Fidelity/Musical America 17, no. 3 (March 1967), p. 16.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “The Want List 2001: Bernard Jacobson.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 2 (2001): 113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “Schuman: Violin Concerto. “New England Triptych.” Ives-Schuman: Variations on “America.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 1 (2001): 267-268.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jaffe, Daniel
Year: 1997
Complete Citation:
Jaffe, Daniel. “Names for the Millennium: Marc-André Hamelin.” Classic CD (1997): 42.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
James Sinclair, commentor
Year: 1999
Complete Citation:
James Sinclair, commentor. “Song Recital with Slides and Comments.” Lecture-recital presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes: Performers include Theodore Huffman, bari-tone; Brenda Patterson, mezzo-soprano; Lydia Brown, piano
IV. Individual Studies by Genre
E. Songs
Jay, Maurice
Year: 1964
Complete Citation:
Jay, Maurice. “Original Sin, Existential Absurdity, and a Song by Charles Ives.” Prairie Schooner, vol. 38, no. 3 (1964): 265-266.Source: Journal
E. Songs
Jepson, Barbara
Year: 2004
Complete Citation:
Jepson, Barbara. “LEISURE & ARTS: In the Fray: Charles Ives: Once Neglected, Now Overrated.” The Wall Street Journal, January 20, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2019
Complete Citation:
Jepson, Barbara. “Composers Who found Inspiration in the Vernacular; Michael Tilson Thomas and the San Francisco Symphony Offer a New Recording of Charles Ives Music; Violinist Rachel Barton Pine Plays Concertos by Antonín Dvořák and Aram Khachaturian.” The Wall Street Journal, November 13, 2019.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Bret
Year: 2009
Complete Citation:
Johnson, Bret. “CD Reviews: Corigliano; Jones; Giannini; Schuller; Daugherty; “Abraham Lincoln Portraits.”” Tempo, Vol. 63 (2009): 86-88.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Harriett
Year: 1965
Complete Citation:
Johnson, Harriett. “An Ives Premiere After 50 Years.” New York Post, April 27, 1965, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Johnson, Lawrence
Year: 1995
Complete Citation:
Johnson, Lawrence. “Patriotic Airs Fill Light Bill at Grant Park: North Sports Final Edition.” Chicago Tribune, August 21, 1995.Notes: Special to the Tribune.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Johnson, Lawrence A.
Year: 2005
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: “Universe Symphony (Ed. Reinhard).”” Gramophone, Vol. 83 (2005): A7.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: Symphony, “Holidays”; “The General Slocum”; Overture in G Minor; “Yale-Princeton Football Game”; Postlude in F Minor.” Gramophone, Vol. 87 (2010): A7-A8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Lawrence B.
Year: 1996
Complete Citation:
Johnson, Lawrence B. “Finding the Poetry Amid Ives’s Hurly-Burly.” The New York Times. August 25, 1996, sec 2: 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Timothy A.
Year: 1996
Complete Citation:
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.Source: Journal
IV. Individual Studies by Genre
E. Songs
Jolly, James
Year: 1985
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.Notes: Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.Notes: A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jones, Isabel M.
Year: 1932
Complete Citation:
Jones, Isabel M. “American Composers Featured in Concert.” Los Angeles Times 1932, A7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jones, Isabel Morse
Year: 1944
Complete Citation:
Jones, Isabel Morse. “All-American Program Set.” Los Angeles Times, May 14, 1944 III: 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances