Potter, Keith
Year: 1998
Complete Citation:
Potter, Keith. “Classical: Sadly Second Rate Charles Ives Bournemouth SO Poole: Final Edition.” The Independent, December 15, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Prunières, Henry
Complete Citation:
Prunières, Henry. “American Compositions in Paris.” The New York Times, July 12, 1931, sec. 8, 6.Source: Newspaper
Reprints: Prunières, Henry. “American Compositions in Paris” [excerpt]. In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
Year: 1931
Complete Citation:
Prunières, Henry. “American Compositions in Paris.” The New York Times. July 12, 1931, sec. 8, 6.Source: Newspaper
Reprints: Prunières, Henry. “American Compositions in Paris.” Translated by Frank R. Rossiter. <i>Charles Ives and His World</i>.<i> </i>Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Prunières, Henry. “American Composers in Paris.” The New York Times, July 12, 1931, 6, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Quinn, Ian
Year: 2005
Complete Citation:
Quinn, Ian. “Guide to Records: Harbison - Symphony 3, Ives - Symphony 2, Gershwin - “Cuban Overture.”” American Record Guide, Vol. 68, No. 4 (2005): 126-127.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Rákai, Zsuzsanna
Year: 2014
Complete Citation:
Rákai, Zsuzsanna. “Hangverseny: Ránki, Keller, Concerto Budapest.” Muzsika, Vol. 57, No. 6 (2014): 46-47.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ramey, Corinne
Year: 2014
Complete Citation:
Ramey, Corinne. “Arts & Entertainment: Giving a Hat Tip to an American Original --- Society Re-Creates Studio of Charles Ives.” The Wall Street Journal, March 4, 2014.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Rankin, Bill
Year: 2003
Complete Citation:
Rankin, Bill. “Disc shows Two Sides of Musical Freethinker: Final Edition.” Edmonton Journal, May 18, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Rathert, Wolfgang
Complete Citation:
Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.Source: Journal
IV. Individual Studies by Genre
E. Songs
Raven, Seymour
Year: 1959
Complete Citation:
Raven, Seymour. “Music of Ives Ends Ravinia’s Concert Phase: Hendl Conductor for a Crowd Pleaser.” Chicago Daily Tribune, August 9, 1959, 16.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Raynor, Henry
Year: 1966
Complete Citation:
Raynor, Henry. “Miscellany.” Music Review 27/4 (1966): 331.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Recchi, Ray
Year: 1993
Complete Citation:
Recchi, Ray. “Shh! Sit Down and Mind Your Manners: Sports Final Edition.” Sun-Sentinel, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Reed, James
Year: 2005
Complete Citation:
Reed, James. “Get Wrecked: Third Edition.” The Boston Globe, March 16, 2005.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Reel, James
Complete Citation:
Reel, James. “Majoros’ Portrayal Brings Ives to Life.” The Arizona Daily Star, April 26, 1991.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Reel, James. “CD Offers Exquisite Takes on Ives, Barber Works.” The Arizona Daily Star, February 26, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Reel, James. “A Trio of Duos: the Gemini Piano Trio.” Fanfare: The Magazine for Serious Record Collectors, Vol. 22, No. 4 (1999): 128-131.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Reel, James. “Collections: Choral - “Heaven To Earth.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 237-238.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Reel, James. “Reviews: On Record: “A Century of American Music.”” Strings, Vol. 21, No. 9 (2007): 89.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews