Image
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Bibliography
Genres
Tryon, Winthrop P.
Year: 1924
Source: Newspaper
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Freischutz at the Metropolitan-Other Music of a New York Week: A Business Man Who Composes.” Christian Science Monitor (March 24, 1924): 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Tucker, Marilyn
Year: 2000
Complete Citation:
Tucker, Marilyn. “Concerts Everywhere: San Francisco-San Francisco Symphony: Thomas Song Cycle [Premiere].” American Record Guide, Vol. 63, No. 1, (2000): 42.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Tumelty, Michael
Year: 2016
Complete Citation:
Tumelty, Michael. “Heading here.” The Herald [Glasgow, Scotland], February 12, 2016, 15.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ulrich, Allan
Year: 2000
Complete Citation:
Ulrich, Allan. “An Ives Fourth for this Generation Tilson Thomas again Illuminates an American Classic: First Edition.” The San Francisco Examiner, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Upton, William Treat
Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Valdes, Lesley
Year: 1969
Complete Citation:
Valdes, Lesley. “Dutch Troupe, Relache Offer Tribute to Charles Ives’ Music.” The Philadelphia Inquirer, May 31, 1997.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Lesley Valdes. “Charles Ives Presents Pleasing Mix of Music: 3 Star Edition.” The Orlando Sentinel, November 18, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Vance, David
Year: 2000
Complete Citation:
Vance, David. “Gloves Come Off for a Lively Round with Ives and Co: Late Edition.” Sydney Morning Herald, August 11, 2000.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Velten, Klaus
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Von Glahn, Denise
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Vuillermoz, Émile
Year: 1931
Complete Citation:
Vuillermoz, Émile. “La Musique.” Translated by Frank R. Rossiter. La Musique, Excelsior (Paris), June 8, 1931, 3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes:
Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Wallace, Weldon
Year: 1962
Complete Citation:
Wallace, Weldon. “Music Notes: Baltimore Symphony.” The Sun, January 3, 1962, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Charles
Year: 2000
Complete Citation:
Ward, Charles. “Symphony, Lin Find Baltic Tone, Deliver Moving Sibelius Concerto.” Houston Chronicle, September 18, 2000, 4.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Two Composers Set Themselves Apart in ‘American Orig-inals.’” Houston Chronicle, January 23, 2001, 7.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Sound Thinking. Da Camera Explores Musical ‘Land-scapes.’” Houston Chronicle, March 1, 2001, sec. D, 1.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs