Christy, Van A.
Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.Notes: Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.
Source: Book
IV. Individual Studies by Genre
E. Songs
Cleary, David
Year: 2005
Complete Citation:
Cleary, David. “Concert Reviews: Just Intonations.” 21st Century Music, Vol. 12, No. 4 (2005): 6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Clements, Andrew
Year: 1994
Complete Citation:
Clements, Andrew. “Arts: Proms: Short, Sharp Shock Copland Disappoints but Ives Thrills in Tilson-Thomas’s Varied LSO Programme.” The Guardian, July 19, 1994.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Clements, Andrew. “Review: Ear-Opener from a Fertile Mind Charles Ives: The Unanswered Question, Barbican Centre/Radio 3.” The Guardian, January 22, 1996.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Clements, Andrew. “Review: Classical: The Ives we should Never have Heard: CBSO/Sloane: Symphony Hall, Birmingham 2/5.” The Guardian, February 27, 2003, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Clements, Andrew. “Review: Ives’s Masterpiece Makes Rare Appearance: Classical: Pierre-Laurent Aimard: Aldeburgh Festival 5/5.” The Guardian, June 16, 2004, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Clements, Andrew. “Friday Review: Dissonant and Dizzying: Andrew Clements is Impressed by how Glorious Charles Ives can Sound in the Right Hands.” The Guardian, May 7, 2004: 19.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2008
Complete Citation:
Clements, Andrew. “Film & Music: Classical Reviews: Ives: Songs 1-6.” The Guardian, November 21, 2008, 14.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Coeuroy, Andre
Year: 1931
Complete Citation:
Coeuroy, Andre. “Revue.” Grinooire 19, VI (June 1931).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Cogan, Robert
Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.Source: Book
Reprints: Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.
IV. Individual Studies by Genre
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.Source: Journal
IV. Individual Studies by Genre
E. Songs
Cohn, Arthur
Year: 1940
Complete Citation:
Cohn, Arthur. “Americans at Rochester.” Modern Music 17/4 (May-June 1940): 55-58.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Cohn, Arthur. “Alan Mandel Plays All Twenty-Seven of the Piano Works of Ives.” The American Record Guide 35 no. 7 (March 1969): 548-549.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Cohn, Arthur. “Playing and Conducting that Simply Could Not Be Bettered.” American Record Guide 37, no. 3 (November 1970): 148-151.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Cole, Hugo
Year: 1979
Complete Citation:
Cole, Hugo. “The Musical Scene: Mountains and Sponge Cakes.” Country Life 165, no. 4256, (February 1, 1979): 278.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Coleman, Judy Bounds
Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.Notes: Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Commanday, Robert
Year: 1989
Complete Citation:
Commanday, Robert. “Adventurous Night for San Jose.” San Francisco Chronicle. November 20, 1989, sec. F, 2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Cook, Christopher
Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.Source: Magazine
IV. Individual Studies by Genre
E. Songs
Copland, Aaron
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.Source: Journal
Reprints: Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.Notes: Discussion of selected songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs