decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Strongin, Theodore

Year: 1967
Complete Citation:
Strongin, Theodore. “Recordings: How Not to Play Ives.” The New York Times, November 19, 1967, sec. 2, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Strongin, Theodore. “Lots of Ives in One Box.” The New York Times, April 28, 1968, D30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Strümpe, Marcus

Year: 2009
Complete Citation:
Strümpe, Marcus. “Besprechungen: Tonträger: Unbekümmerte Musik.” Musik und Kirche, Vol. 79, No. 2 (2009): 142.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sullivan, Charles B.

Year: 1965
Complete Citation:
Sullivan, Charles B. “Letters to the Editor: The Great American Com- poser.” HiFi/Stereo Review 15/2 (August 1965): 6.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sullivan, Jack

Year: 2009
Complete Citation:
Sullivan, Jack. “Collections: “American Piano 1900-1930”; “An American Mirage.”” American Record Guide, Vol. 72, No. 6 (2009): 211.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Sullivan, Jack. “Albany, Baltimore, Detroit, & National Symphonies.” American Record Guide, Vol. 76, No. 5, (2013): 16-17.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Swafford, Jan

Year: 1989
Complete Citation:
Swafford, Jan. “Ives Thrives.” Musical America 109/5 (September 1989): 67-70.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1991
Complete Citation:
Swafford, Jan. “Answering the Unanswered Question.” Gramophone 68, 1991, 1494-1495.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Swanson, Alan

Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.
Notes:

Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Swed, Mark

Year: 1996
Complete Citation:
Swed, Mark (1996) “Ives by the BBC: Questions Raised and Answered.” American Record Guide, Vol. 59, No. 4 (1996): 38, 42.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Taubman, Howard

Year: 1948
Complete Citation:
Taubman, Howard. “Records: Ives Sonata. Columbia Issues 'Concord' Piano Work Played by John Kirkpatrick.” The New York Times, July 18, 1948, sec. 2, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1948
Complete Citation:
Taubman, Howard. “Records: Ives Sonata.” New York Times, July 18, 1948.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Teachout, Terry

Year: 1990
Complete Citation:
Teachout, Terry. “Recordings in Review: Ives, Wright.” Musical America, Vol. 110, No. 1 (1990): 70.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Troon, Anthony

Year: 2015
Complete Citation:
Troon, Anthony. “Record Reviews: In Brief ... Doam Ensemble - “Mists: Charles Ives for Jazz Orchestra.”” Jazz Journal International, Vol. 68, No. 5 (2015): 37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Tsioulcas, Anastasia

Year: 2004
Complete Citation:
Tsioulcas, Anastasia. “Classical Score: Ives Thrives on 50th-Anniversary Release.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 116, No. 21 (2004): 15.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Tumelty, Michael

Year: 2016
Complete Citation:
Tumelty, Michael. “Melbourne SO/Davis, Charles Ives Orchestral Music (Chandos).” The Herald (Glasgow, Scotland), February 12, 2016.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Tuthill, Burnet C.

Year: 1949
Complete Citation:
Tuthill, Burnet C. “Recordings of Serious Music by American Com-posers.” Pan Pipes 42/2 (December 1949): 124-130.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews