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Bibliography

Meyer, Felix

Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs

Murphy, Scott

Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Nathan, Hans

Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Newman, Philip Edward

Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.
Notes:

Unpublished

Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Nixon, Marni

Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.
Notes:

Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)

Source: Book
IV. Individual Studies by Genre
E. Songs

Park, Fye-kyung

Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Parr, Sean

Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rathert, Wolfgang

Complete Citation:
Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Richardson, Paul Akers

Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Robinson, Bradley C.

Year: 2020
Complete Citation:
Robinson, Bradley C. “The Songs of Charles Ives: A Closer Look at Undiscovered Pedagogic Treasures for the Collegiate Voice.” Journal of Singing, vol. 76, no. 4 (2020): 403-421.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Schoffman, Nachum

Year: 1977
Complete Citation:
Schoffman, Nachum. “Charles Ives’s Song ‘Vote for Names’.” Current Musicology, no. 23 (1977): 56-68.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Schulz, Thomas

Year: 1990
Complete Citation:
Schulz, Thomas. “An Election oder Nov. 2, 1920: Ein politisches Lied von Charles E. Ives.” Musica 44/6 (November-December 1990): 367-370.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Schwarz, K. Robert

Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance