Velten, Klaus
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Von Glahn, Denise
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes: Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
Williams, Thomas
Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
no author listed
Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).
Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.Source: Magazine
Reprints: Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1953
Complete Citation:
Ten Songs by Charles Ives. Musical Courier 148, no. 6 (November 15, 1953): 26.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives ‘Evening.’” Milton Newsletter, vol. 3, no. 2 (1969): 23.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives “Evening.”” Milton Quarterly, vol. 3, no. 2 (1969): 23-23.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1979
Complete Citation:
October 23, 1979. (Hallowe’en): New York. Telecast over WNET as Peter Martins, Principal Dancer.
1980 February 20: WNET's Dance America Series. See also Jennifer Dunning. "Venturing Out to the Limits of Part-nering." New York Times (1998 June 13) B: 7.Source: Telecast
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.
Prf: 1989 May 19-14: New York; Joyce Theater.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
