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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Timreck, Theodor W.

Year: 1977
Complete Citation:
Timreck, Theodor W., director and producer. “A Good Dissonance Like a Man.” Made-for-television movie. Under the supervision of Vivian Perlis, 1977.
Source: Made-for-television movie
B. Films

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Von Glahn, Denise

Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Ward, Jennifer A.

Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Weiler, A.H.

Year: 1977
Complete Citation:
Weiler, A.H. “Film Forum: Charles Ives and Harry Partch, 2 Originals.” The New York Times, April 22, 1977, 73.
Source: Newspaper
B. Films

Williams, Thomas

Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

no author listed

Year: 1953
Complete Citation:
Ten Songs by Charles Ives. Musical Courier 148, no. 6 (November 15, 1953): 26.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives “Evening.”” Milton Quarterly, vol. 3, no. 2 (1969): 23-23.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives ‘Evening.’” Milton Newsletter, vol. 3, no. 2 (1969): 23.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1970
Complete Citation:
Virgil Fox Plays the Wanamaker Grand Court Organ, Philadelphia. See- Music DVD (SMD-042; 2004). From "La Belle Epoque," Camera Three television program WCBS-TV, 1970 Fall {E290}. Includes Variations on "America."
Source: DVD
B. Films
Year: 1978
Complete Citation:
“A Good Dissonance Like A Man.” Call and Post, September 2, 1978, 19A.
Source: Newspaper
B. Films
Year: 1998
Complete Citation:
20th Century Music for Two Pianos. Videocassette (1998 Loft Music); Pioneer Classics, DVD PC 10524D, 2000.
Notes:

Includes Three Quarter--Tone Pieces for two pianos (Joseph and Anthony Paratore, duo--pianists).

Source: DVD
XV. Television Broadcasts, Films, and Videocassettes
B. Films
Year: 2005
Complete Citation:
"The American Way." Volume 5 of Leaving Home: Orchestral Music of the Twentieth Century. Althaus Musik, DVD 102041, 2005, 50+ minutes. City of Birmingham Symphony Orchestra; Simon Rattle, conductor. Booklet Notes in English, German, and French. Includes "Decoration Day" from A Symphony: New England Holidays.
Source: DVD
B. Films