Image
Complete Citation:
Summers, Leo R. Sketch. In The Arts: A Guide to Painting, Sculpture, Architecture, Music and Theater, by Michael Rheta Martin. Indianapolis, IN: Bobbs-Merrill, 1965.
Bibliography
Genres
Summers, Leo R.
Notes:
Based on a photograph by Frank Gerratana.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Sussman, Richard
Complete Citation:
Sussman, Richard J. “Illustration of Ives and other contemporary com-posers in a collage.” Music Journal 24/3 (March 1966): cover.Source: Illustration
Reprints:
Reproduced: Jack Sherin, cover designer; Ray Diorio, photographer.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Swanson, Alan
Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.Notes:
Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Tenney, James
Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.Source: Liner Notes
IV. Individual Studies by Genre
E. Songs
E. Songs
Thomas, Richard
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, 2001): 30.Notes:
Short biography to acquaint collectors with Ives on the occasion of the issuing of commemorative postage stamp. Mentions several of Ives’s compositions.
Source: Magazine
XVI. Photographs and Artwork
C. Other
C. Other
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, (2001): 30.Source: Postage Stamp
Reprints:
Short biography mentioning several of Ives's compositions.
XVI. Photographs and Artwork
C. Other
C. Other
Treat, William Upton
Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Tryon, Winthrop P.
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.Source: Newspaper
IV. Individual Studies by Genre
E. Songs
E. Songs
Tyler, George Grayson
Year: 1950
Complete Citation:
Tyler, George Grayson. Two color photographs of Ives. July, 1950. Tyler, a lawyer, was Ives's son--in--law.Source: Photograph
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Upton, William Treat
Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Velten, Klaus
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Victor, Jini
Year: 1974
Complete Citation:
Victor, Jini. Montage. The New York Times, October 20, 1974, sec. D, 21, 26.Source: Sculpture
Reprints:
Shown as illustration in the article “Charles Ives, Musical Inventor” by Jonathan Cott.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Von Glahn, Denise
Year: 2008
Complete Citation:
Von Glahn, Denise. “Charles Ives at “Christo's Gates.”” Twentieth Century Music, Vol. 5, No. 2 (2008): 157-178.Source: Journal
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
von Kager, Erica
Year: 1977
Complete Citation:
von Kager, Erica. Portrait, oil painting, before 1977.Notes:
Based on a Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes:
Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Watson, Leda
Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.Notes:
Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].
Source: Collage
XVI. Photographs and Artwork
B. Artwork
B. Artwork