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Bibliography

Swafford, Jan

Year: 1992
Complete Citation:
Swafford, Jan. “Charles Ives.” In The Vintage guide to classical music. New York: Vintage Books, 1992.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1999
Complete Citation:
Swafford, Jan. “Ives, Charles.” In American National Biography, edited by John A. Garraty and Mark C. Carnes, 713-715. Volume 11. New York, NY: Oxford Uni-versity Press, 1999.
Source: Encyclopedia
V. General Music Studies
A. Short Biographies and Profiles
Year: 2004
Complete Citation:
Swafford, Jan. “Charles Edward Ives (1874-1954).” Music Clubs Magazine, Vol. 84, No. 1 (2004): 16-21.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 2017
Complete Citation:
Swafford, Jan. “Charles Ives (1874-1954).” In Language of the Spirit: an Introduction to Classical Music. Basic Books, 2017.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 2017
Complete Citation:
Swafford, Jan. “Charles Ives (1874-1954).” In Language of the spirit: an introduction to classical music. New York, NY: Basic Books, 2017.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Swanson, Alan

Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.
Notes:

Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Thompson, Wendy

Year: 2003
Complete Citation:
Thompson, Wendy. “Charles Ives.” In Modern Composers. London, United Kingdom: Southwater, 2003.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Tomassini, Anthony, Allan Kozinn, Jeremy Eichler, Anne Midgette, and James R. Oestreich

Year: 2004
Complete Citation:
Tomassini, Anthony, Allan Kozinn, Jeremy Eichler, Anne Midgette, and James R. Oestreich. “A Radical in a Suit and Tie: The One and Only Charles Ives.” The New York Times, May 7, 2004.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Tryon, Winthrop P.

Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Upton, William Treat

Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.
Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Usmanbas, Ilhan

Year: 1974
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative- Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 254-256. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Velten, Klaus

Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Von Glahn, Denise

Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Walker, Donald

Year: 2002
Complete Citation:
Walker, Donald. “Charles Edward Ives.” In Music of the twentieth-century avant-garde: a biocritical sourcebook, edited by Sitsky, Larry. Westport, CT: Greenwood Press, 2002.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Walker, Donald R.

Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.
Notes:

Part of “A Garland for Charles Ives”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Ward, Jennifer A.

Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.
Source: Journal
IV. Individual Studies by Genre
E. Songs