Image
Complete Citation:
Hitchcock, H. Wiley. “Schoenberg on Ives.” Institute for Studies in American Music Newsletter (May 1981) 10/2: 5.
Bibliography
Genres
Hitchcock, H. Wiley, ed.
Year: 1981
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.Notes:
<a target="_blank" href="https://charlesives.org/sites/default/files/Ives_129_Songs.pdf">Critical commentary to accompany Music of the United States of America, Vol. 12 and Recent Researches in American Music, Vol. 46. Published for the American Musicological Society. Available at: https://charlesives.org/sites/default/files/Ives_129_Songs.pdf. </a>
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder
Year: 1993
Complete Citation:
Hitchcock, H. Wiley Vivian Perlis, and J. Peter Burk-holder. “Ives and Copland and Their Contribution to an American Mythol-ogy.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcok, H. Wiley
Year: 1998
Complete Citation:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.”<i>Journal of the American Musicological Society</i> 52/1 (Spring 1999): 97-144.
IV. Individual Studies by Genre
E. Songs
E. Songs
Hoek, D. J.
Year: 2004
Complete Citation:
Hoek, D.J. “Documenting the International Avant Garde: Earle Brown and the Time-Mainstream Contemporary Sound Series.” Notes 61/2 (2004): 350-360.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Holloway, Robin
Year: 1996
Complete Citation:
Holloway, Robin. “‘Use Your Ears like a Man.’” Spectator 276/8740 (January 20, 1996): 42.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Holmes, Leslie M.
Year: 2010
Complete Citation:
Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2011
Complete Citation:
Holmes, Leslie M. “A Conversation with Gerald Finley, Part 2.” Journal of Singing 67, No. 5 (May 2011): 617-623.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Hommel, Friedrich
Year: 1985
Complete Citation:
Hommel, Friedrich. “Andere funfziger Jahre? Familienbild mit Ives, Cowell, Varese und Cage.” In Die Musik der funfziger Jahre, 39-47, edited by Carl Dahlhaus. Veroffentlichungen des Instituts fur Neue Musik und Musik-erziehung Darmstadt, Vol. 26. Mainz, Germany: Schott, 1985.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Horowitz, Joseph
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 2007
Complete Citation:
Horowitz, Joseph. “Antonin Dvorak and Charles Ives in search of America.” In Classical music in America: a history. New York, NY: W.W. Norton & Company, Inc., 2007.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2019
Complete Citation:
Horowitz, Joseph. “Mark Twain, Charles Ives, and the Uses of Vernacular Intelligence.” Raritan: A Quarterly Review, vol. 38, no. 3 (2019): 143-164.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman
Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams, Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Houtchens, Alan and Janis P. Stout
Year: 1996
Complete Citation:
Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1997
Complete Citation:
Houtchens, Alan, and Janis P. Stout. “‘Scarce heard amidst the guns below’: Intertextuality and Meaning in Charles Ives’s War Songs.” Journal of Musicology 15/1 (Winter 1997): 66-97.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Howard, John
Year: 1995
Complete Citation:
Howard, John. “Hymn and a River.” In Performing and Responding. Cambridge Assignments in Music, edited by Roy Bennett, 22-25. Cambridge, United Kingdom: Cambridge University Press, 1995.Notes:
The author refers to <i>Three Places in New England</i>: The Housatonic at Stockbridge as the model. An accompanying compact disc is available.
Source: Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Howard, John Tasker
Year: 1941
Complete Citation:
Howard, John Tasker. Our Contemporary Composers: American Music in the Twentieth-Century. New York, NY: Crowell, 1941.Source: Book
Reprints:
1943
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers