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Bibliography

Howard, John Tasker

Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Howard, John Tasker and George Kent Bellows

Year: 1967
Complete Citation:
Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hubbs, Nadine

Year: 2004
Complete Citation:
Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.
Notes:

In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.

Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.
Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Hurley, Frank H.

Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.
Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hutton, Edna Rait

Year: 1955
Complete Citation:
Hutton, Edna Rait. “Charles Ives-America's Musical Prophet.” Pan Pipes 46/2 (January 1955): 20-21.
Notes:

An obituary.

Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1965
Complete Citation:
Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Hwang, Mi Kyung

Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.
Source: Magazine
VI. Topical Studies
G. Music Theory Analyses

Hyunmo, Kang

Year: 2007
Complete Citation:
Hyunmo, Kang. “아이브스의 노래: 커멘터리의 노래.” 서양음악학 10, no. 3 (2007): 11-44
Notes:

Translates to “Song of Ives: Song of the Commentary”

Source: Journal
IV. Individual Studies by Genre
E. Songs

Ingram, Paul

Year: 2005
Complete Citation:
Ingram, Paul. “A Song (and a Singer) for Anything: Gerald Finley, Charles Ives, and a Framework for Exploration.” Fanfare 29/1 (Sep-tember/October 2005): 20, 22, 24, 26.
Notes:

Remarks concerning Finley's recording of Ives's songs [D620].

Source: Magazine
IV. Individual Studies by Genre
E. Songs

Isham, Howard

Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.
Source: Journal
VI. Topical Studies
I. Compositional Process

Ivashkin, Alexander

Year: 2013
Complete Citation:
Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ives, Charles

Year: 1920
Complete Citation:
Ives, Charles. How to Read the Rate Book. New York, NY: Ives & Myrick, 1920.
Source: Book
VI. Topical Studies
D. Insurance
Year: 1968
Complete Citation:
Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1971
Complete Citation:
Ives, Charles. “Thoreau.” In Henry David Thoreau: a profile. New York, NY: Hill and Wang, 1971.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ives, Charles E.

Year: 1935
Complete Citation:
Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.
Source: Journal
IV. Individual Studies by Genre
E. Songs