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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Johnston, Walter E.

Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1985
Complete Citation:
Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Josephson, Nors S.

Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kaenel, André

Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Kagen, Sergius

Year: 1949
Complete Citation:
Kargen, Sergius. Music for the Voice: A Descriptive List of Concert and Teaching Material, 330. New York, NY: Rinehart & Company, 1949.
Notes:

Reprint adds brief annotations for August, Autumn, Charlie Rutlage, Evening, From "Lincoln, the Great Commoner," The Greatest Man, and Walking.

Source: Book
Reprints:

Kargen, Sergius. <i>Music for the Voice: A Descriptive List of Concert and Teaching Material</i>.<i> </i>Bloomington, IN: Indiana University Press, 1968: 506- 507.

IV. Individual Studies by Genre
E. Songs

Kager, Reinhard

Year: 2001
Complete Citation:
Kager, Reinhard. “Stille Einkehr: Tirol auf den Spuren eines “besseren Amerika.”” Österreichische Musikzeitschrift, Vol. 56, No. 6 (2001): 66-67.
Source: Journal
VI. Topical Studies
L. Ives and America

Kakinuma, Toshie, and Mamoru Fujieda

Year: 1989
Complete Citation:
Kakinuma, Toshie, and Mamoru Fujieda. “‘I Am One of Mr. Ives' Legal Heirs’: An Interview with Lou Harrison.” Sonus: A Journal of Investigations into Global Musical Possibilities 9/2 (Spring 1989): 46-58.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kämper, Dietrich

Year: 1987
Complete Citation:
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien, edited by Herbert Danuser, Dietrich Kämper, and Paul Terse. Laaber, Germany: Lauber-Verlag (1987): 135-148.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1987
Complete Citation:
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 135-145. Laaber, Germany: Laaber Verlag, 1987.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Karl, Frederick R.

Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.
Notes:

“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).

Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Karolyi, Otto

Year: 1996
Complete Citation:
Karolyi, Otto. Modern American Music from Charles Ives to the Mini-malists, 9-20. Teaneck, NJ: Fairleigh Dickinson University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
D. Insurance

Karp, T.

Complete Citation:
Karp, T. “Charles Ives’s Book of 114 songs.” In A Musical offering: essays in honor of Martin Bernstein, edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977.
IV. Individual Studies by Genre
E. Songs

Karr, Harrison

Year: 1933
Complete Citation:
Karr, Harrison. “The Pan Americans.” Trend 1, 4 (January-March 1933): 141-143.
Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues

Kaskowitz, Sheryl

Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives

Kassler, Jamie Croy

Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kavanaugh, Patrick

Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kay, Norman

Year: 1970-71
Complete Citation:
Kay, Norman. “Aspects of Copland's Development.” Tempo 95 (Winter 1970-71): 23-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kearns, William K.

Year: 1990
Complete Citation:
Kearns, William K. Horatio Parker (1863-1919): His Life, Music, and Ideas. Metuchen, NJ: The Scarecrow Press, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers