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Bibliography

Rathert, Wolfgang

Year: 2004
Complete Citation:
Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Ives’ Vermächtnis.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday, 5-24. Munich, Germany: Edition Text und Kritik, 2004.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Reale Und Imaginäre Landschaften: Charles Ives' Musikalische Exkursionen Und Ihre Folgen.” Neue Zeitschrift Für Musik, vol. 165, no. 2 (2004): 42-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Rebner, Wolfgang Edward

Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.
Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rectanus, Hans

Year: 1985
Complete Citation:
Rectanus, Hans. “Wechsel der Unterrichtsformen unter Einbeziehung verschiedener Medien als didaktische Notwendigkeit im Musikunterricht,” 101-111. In Medieninvasion: die Kulturpolitische Verantwortung der Musikerziehung. Mainz, Germany: Schott, 1985.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. Three American Originals: John Ford, William Faulkner, & Charles Ives. Middletown, CT: Wesleyan University Press, 1984.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reis, Claire Raphel

Year: 1938
Complete Citation:
Reis, Claire Raphel. Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912--1937, 146-147. New York, NY: Macmillan. Third Edition, 1938.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reich, Howard

Year: 1987
Complete Citation:
Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.
Notes:

In this article about Slonimsky there are several references to his associa-tion with Ives (among others) and his work with Ives and his composi-tions, including remarks about the chamber version of Orchestral Set No. 1: Three Places in New England.

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reinhard, Johnny

Year: 2005
Source: Online article
VI. Topical Studies
R. Performance Approaches
Year: 2005
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses

Retallack, Joan, ed.

Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.
Source: Book
VI. Topical Studies
L. Ives and America

Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma

Year: 1977
Complete Citation:
Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 187-208. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rice, Philip

Rich, Alan

Year: 1995
Complete Citation:
Rich, Alan. American Pioneers: Ives to Cage and Beyond. London, United Kingdom: Phaidon, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Richardson, Paul Akers

Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs

Rickey, Carrie

Year: 1978
Complete Citation:
Rickey, Carrie. “Fashion/Style/Custom: Alan Cote and David Diao.” Artforum 17 (October 1978): 30-34.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ridley, Aaron

Year: 2004
Complete Citation:
Ridley, Aaron. The Philosophy of Music: Theme and Variations. Edin-burgh, Scotland: Edinburgh University Press, 2004.
Notes:

Central Park in the Dark is cited in Chapter 1, "Understanding": 20-21, 41-44.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Riedel, Johannes

Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.
Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives

Riegger, Wallingford

Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing