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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Straus, Noel

Year: 1940
Complete Citation:
Straus, Noel. “Composers Unite: Contemporaries Join in Venture to Publish Their Own Scores.” The New York Times, September 22, 1940 sec. 9, 7.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stravinsky, Igor and Craft, Robert

Year: 1962
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Expositions and Developments, 92, 97-99, 104. Garden City, NY: Doubleday, 1962.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Themes and Episodes, 15-16, 48. 106, 154. New York, NY: Alfred A. Knopf, 1966.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Retrospectives and Conclusions, 30-32. New York, NY: Alfred A. Knopf, 1969.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Swados, Elizabeth

Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.
Notes:

Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.

Source: Book
VI. Topical Studies
I. Compositional Process

Swafford, Jan

Year: 1995
Complete Citation:
Swafford, Jan. “‘La vita nuova’: The Courtship of Charles and Harmony Ives.” American Music 13/4 (Winter 1995): 470-489.
Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 2003
Complete Citation:
Swafford, Jan. “Friday Review: Inventing America: In the Late 19th Century, the United States was a Nation without a Musical Tradition - Until Czech Composer Antonin Dvorak Suggested it Look to the ‘Negro Melodies.’ Jan Swafford Chronicles the Quest for a Voice.” The Guardian, September 26, 2003, 9.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Swanson, Alan

Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica (2001/2002): 71-90.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.
Notes:

Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Swed, Mark

Year: 1992
Complete Citation:
Swed, Mark. “Henry Brant and His Space-Time Music.” The Wall Street Journal, 1992.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Tangeman, Robert

Year: 1945
Complete Citation:
Tangeman, Robert. “The Songs of Theodore Chanler.” Modern Music (May-June 1945) 22/4: 227.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Tanner, Michael

Year: 2019
Complete Citation:
Tanner, Michael. “Classical: Lili and Nadia Boulanger/ Charles Ives.” The Spectator (2019).
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1975
Complete Citation:
Taruskin, Richard. “Letter in reply to Hans G. Helms’ ‘Ives—Ideal American or Social Critic?’” Current Musicology, no. 20 (1975): 33-40.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” The New York Times. May 16, 2004, sec. 2: 26, 28.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Corraling a Herd of Musical Mavericks.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 153-160. Berkeley, CA: University of California Press, 2009.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses