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Bibliography

Buk, False

Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.
VI. Topical Studies
A. Transcendentalism or Philosophy

Burr, Raymond A.

Year: 1976
Complete Citation:
Burr, Raymond A. “The Art Songs of Charles Ives.” In South Florida's Historic Ives Festival, 1974-1976, 53-56. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]

Year: 1996
Complete Citation:
Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]. “Transcendentalism and American Culture.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: Chapter in Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy

Charles, Daniel

Year: 1992
Complete Citation:
Charles, Daniel. “Emerson Selon Charles Ives.” Critique: Revue Générale Des Publications Françaises Et Étrangères (1992): 513.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs

Chmaj, Betty E.

Year: 1983
Complete Citation:
Chmaj, Betty E.. “Abstract: How Charles Ives Put Down the Concord Bards.” Sonneck Society for American Music Bulletin (Summer 1983) 9: 39.
Notes:

Regarding Sonata No. 2, “Concord, Mass., 1840-1860,” for piano.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1984
Complete Citation:
Chmaj, Betty E. “Abstract: ‘As I Was Saying’: Charles Ives and the Concord Connection.” Sonneck Society for American Music Bulletin (Fall 1984) 10: 63-64.
Notes:

Regarding the Concord Sonata.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation:
Chmaj, Betty E. “The Journey and the Mirror: Emerson and the American Arts.” In Prospects 10: An Annual of American Culture Studies, edited by Jack Salzman, 353-408. Cambridge, United Kingdom: Cambridge University Press, 1985.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Cogan, Robert

Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.
Source: Book
Reprints:

Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.

IV. Individual Studies by Genre
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Cole, Michael S.

Year: 1997
Complete Citation:
Cole, Michael S. “Concord Revisited: Charles Ives and the American Transcendentalists [Abstract].” Canadian Journal for Traditional Music, Vol. 25 (1997): 29.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Coleman, Judy Bounds

Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.
Notes:

Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Cook, Christopher

Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.
Source: Magazine
IV. Individual Studies by Genre
E. Songs

Copland, Aaron

Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.
Notes:

Discussion of selected songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.
Source: Journal
Reprints:

Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
E. Songs

Crunden, Robert Morse

Year: 1982
Complete Citation:
Crunden, Robert Morse. Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920. New York, NY: Basic Books, 1982.
Source: Book
Reprints:

Crunden, Robert Morse. <i>Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920</i>. Urbana, Illinois: University of Illi-nois Press, 1984.

VI. Topical Studies
A. Transcendentalism or Philosophy

DiYanni, Robert

Year: 1981
Complete Citation:
DiYanni, Robert. “In the American Grain: Charles Ives and the Transcendentalists.” Jazz and Culture 4 (1981): 139-151.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy