Hitchcock, H. Wiley
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Hitchcock, H. Wiley, ed.
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
Hitchcok, H. Wiley
Year: 1998
Complete Citation:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.”<i>Journal of the American Musicological Society</i> 52/1 (Spring 1999): 97-144.
IV. Individual Studies by Genre
E. Songs
Holmes, Leslie M.
Year: 2010
Complete Citation:
Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2011
Complete Citation:
Holmes, Leslie M. “A Conversation with Gerald Finley, Part 2.” Journal of Singing 67, No. 5 (May 2011): 617-623.Source: Journal
IV. Individual Studies by Genre
E. Songs
Horowitz, Joseph
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman
Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Houtchens, Alan and Janis P. Stout
Year: 1996
Complete Citation:
Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Houtchens, Alan, and Janis P. Stout. “‘Scarce heard amidst the guns below’: Intertextuality and Meaning in Charles Ives’s War Songs.” Journal of Musicology 15/1 (Winter 1997): 66-97.Source: Journal
IV. Individual Studies by Genre
E. Songs
Hyunmo, Kang
Year: 2007
Complete Citation:
Hyunmo, Kang. “아이브스의 노래: 커멘터리의 노래.” 서양음악학 10, no. 3 (2007): 11-44Notes: Translates to “Song of Ives: Song of the Commentary”
Source: Journal
IV. Individual Studies by Genre
E. Songs
Ingram, Paul
Year: 2005
Complete Citation:
Ingram, Paul. “A Song (and a Singer) for Anything: Gerald Finley, Charles Ives, and a Framework for Exploration.” Fanfare 29/1 (Sep-tember/October 2005): 20, 22, 24, 26.Notes: Remarks concerning Finley's recording of Ives's songs [D620].
Source: Magazine
IV. Individual Studies by Genre
E. Songs
Ives, Charles E.
Year: 1935
Complete Citation:
Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.Source: Journal
IV. Individual Studies by Genre
E. Songs
Ives, Charles; J. Bernlef, trans.
Year: 1969
Complete Citation:
Ives, Charles. “Foreword to 114 Songs [l’Nawoord bij 114 Songs].” Translated to Dutch by J. Bernlef. In Charles Ives, 93--103. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
Ives, Charles. “Text to ten songs with Dutch translations.” In Charles Ives, 115--119, 260--264. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
Iverson, Jennifer
Year: 2002
Complete Citation:
Iverson, Jennifer. “Ives Reworks Thoreau: Charles Ives’ Interpretation of Thoreau in 114 Songs and Essays before a Sonata.” Publications of the Missouri Philological Association, vol. 27 (2002): 66.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Ivey, Donald
Year: 1970
Complete Citation:
Ivey, Donald. Song: Anatomy, Imagery, and Styles. New York, NY: Free Press, 1970.Notes: Numerous passing references; eleven songs mentioned, some with examples: At the River, Charlie Rutlage, The Children's Hour, A Christmas Carol, An Election, from “Lincoln, the Great Commoner.” General William Booth Enters into Heaven, His Exaltation, Majority, On the Counter, Serenity, and Tom Sails Away.
Source: Book
IV. Individual Studies by Genre
E. Songs
James Sinclair, commentor
Year: 1999
Complete Citation:
James Sinclair, commentor. “Song Recital with Slides and Comments.” Lecture-recital presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes: Performers include Theodore Huffman, bari-tone; Brenda Patterson, mezzo-soprano; Lydia Brown, piano
IV. Individual Studies by Genre
E. Songs