Image
Complete Citation:
Harrison, Lou. [1945] 1987. “Ruggles, Ives, Varese.” In View (1945). A Lou Harrison Reader,16--17. Edited by Peter Garland. Reprint, Santa Fe: Soundings Press, 1987.
Bibliography
Genres
Harrison, Lou
Year: 1987
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Heister, Hanns-Werner, Werner Kremp, eds.
Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann
Year: 2004
Complete Citation:
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.Source: Festival
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Helms, Hans G.
Year: 1974
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives — Leben, Werk und Einfluß auf die heutige Generation.” Neue Zeitschrift für Musik 125/10 [1964]: 425-433.Source: Journal
Reprints:
Helms, Hans G. “Der Komponist Charles Ives.” Liner notes for <i>Die Welt des Charles Ives</i>. CBS 77406, 1974, LP.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Henahan, Donal
Year: 1970
Complete Citation:
Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.Notes:
“Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Henahan, Donald
Year: 1981
Complete Citation:
Henahan, Donald. “Wave Your Banner! Sound Your Trumpet! (If You Want Your Favorite Composer to Achieve Immortality and Become the Next Mahler or Ives).” The New York Times, February 8, 1981, sec. 2, 1, 25.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hertz, David Michael
Year: 1993
Complete Citation:
Hertz, David Michael. Angels of reality: Emersonian unfoldings in Wright, Stevens, and Ives. Carbondale, IL: Southern Illinois University Press,1993.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Herzfeld, Gregor
Year: 2007
Complete Citation:
Herzfeld, Gregor. “Nancarrows Erhabene Zeitspiele.” Archiv Für Musikwissenschaft, vol. 64, no. 4 (2007): 285-305.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2015
Complete Citation:
Herzfeld, Gregor. “Tod und Trauer als Narrative neuer Musik: Erinnerungsmusik von Charles Ives, Morton Feldmann und John Adams.” In Musik und Narration: philosophische und musikästhetische Perspektiven. Bielefeld, Germany: Transcript, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hicks, Michael
Year: 1991
Complete Citation:
Hicks, Michael. “The Imprisonment of Henry Cowell.” Journal of the American Music Society 44, No. 1 (1991).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
Hicks, Michael. Henry Cowell, Bohemian. Urbana, IL: University of Illinois Press, 2002.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hiller, Egbert
Year: 2011
Complete Citation:
Hiller, Egbert. “«Manische Entwicklungslinien»: Der Ungarische Komponist Martin Illés.” Neue Zeitschrift Für Musik, vol. 172, no. 1 (2011): 46-49.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1985
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana. The Gottschalk Connection.” Institute for Studies in American Music Newsletter 15/1 (November 1985): 5.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. “Keynote Address: Ives and Copland: An Odd Couple, and Yet…” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs