Carter, Chandler
Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.Source: Conference Paper
IV. Individual Studies by Genre
E. Songs
Carter, Eilliot
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot
Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.Notes: A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1948
Complete Citation:
Carter, Elliot. “Genial Sage.” In Paul Rosenfeld: Voyager in the Arts, edited by Jerome Mellquist and Lucie Wiese, 163-165. New York, NY: Creative Age Press, 1948.Source: Chapter in Book
Reprints: Carter, Elliot. “Genial Sage.” In <i>Collected Essays and Lectures, 1937-1995</i>, 306-307. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Carter, Elliot. “The Rhythmic Basis of American Music.” Score and I.M.A. Magazine 12, June 1955, 27-32.Source: Magazine
Reprints: Carter, Elliot. “The Rhythmic Basis of American Music.” In <i>Collected Essays and Lectures, 1937-1995</i>, 57-62. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Carter, Elliot. “Documents of a Friendship with Ives.” Parnassus: Poetry in Review, (Spring-Summer 1975).Source: Journal
Reprints: Carter, Elliot. “Documents of a Friendship with Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1998
Complete Citation:
Carter, Elliot. “Brass Quintet.” In Collected Essays and Lectures, 1937-1995, edited by Jonathan W. Bernard, 256-258. Rochester, NY: University of Rochester Press, 1998.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger
Year: 1992
Complete Citation:
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger. Entretiens avec Elliott Carter. Geneva, Switzerland: Éditions Contrechamps,1992.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliott
Complete Citation:
Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.Source: Journal
Reprints: Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “The Changing Scene, New York 1940.” Modern Music XVII, 3 (March-April 1940): 240-241.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “Stravinsky and Other Moderns in 1940.” Modern Music 17/3 (March-April 1940): 164-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Carter, Elliott. “Shop Talk by an American Composer.” The Musical Quarterly XLVI (April 1960): 189-201.Source: Journal
Reprints: Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 51-63. New York, NY: W. W. Norton, 1962. * Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 262-273. New York, NY: W. W. Norton, 1962. New York, NY: Holt, Rinehart and Winston, 1967. * Carter, Elliott. “Shop Talk by an American Composer.” <i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 412-424. New York, NY: Charles Scribner’s Sons, 1972.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1977
Complete Citation:
Carter, Elliott. The Writings of Elliott Carter: An American Composer looks at Modern Music, compiled, edited and annotated by Else and Kurt Stone. Bloomington, IN: Indiana University Press, 1977.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2011
Complete Citation:
Carter, Elliott. “Elliott Carter (1908).” Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 42-44. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cash, Alice H.
Year: 1991
Complete Citation:
Cash, Alice H. “Feminist Theory and Music: Toward a Common Language School of Music University of Minnesota Minneapolis — 26-30 June 1991.” The Journal of Musicology 9/4 (1991): 521-532.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Charles, Daniel
Year: 1994
Complete Citation:
Charles, Daniel. Musketaquid: John Cage, Charles Ives und der Transzendentalismus. Berlin, Germany: Merve-Verlag, 1994.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chavez, Carlos
Year: 1962
Complete Citation:
Chávez, Carlos. “Ives y Copland.” Clave, Voz de la Juventud Musical Uruguaya 49 (August--September 1962): 19--23.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chernosky, Louise E.
Year: 2014
Complete Citation:
Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Childs, Andrew S.
Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs
