Image
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Bibliography
Genres
Christy, Van A.
Year: 1979
Notes:
Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Cizmic, Maria
Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cogan, Robert
Year: 1999
Complete Citation:
Cogan, Robert. The Sounds of Song: A Picture Book of Music for Voice. Cambridge, United Kingdom: Publication Contact International, 1999.Source: Book
Reprints:
Cogan, Robert. “The Sounds of Song: A Picture Book of Music for Voice.” <i>Sonus</i> 22/1 (Spring 2002): 1-10.
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2002
Complete Citation:
Cogan, Robert. “Ives’ Farewell.” Sonus: A Journal of Investigations into Global Musical Possibilities, Vol. 22, No. 2 (2002): 1-10.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Coleman, Judy Bounds
Year: 1960
Complete Citation:
Coleman, Judy Bounds. “Charles Ives: The Man and His Songs.” Mid-west Quarterly (July 1960) 1/4: 295-320.Notes:
Includes a reprint of “The Things Our Fathers Loved,” No. 43 of 114 Songs, p. 312-313.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Cook, Christopher
Year: 2004
Complete Citation:
Cook, Christopher. “‘I Was Always Taught to Dream Big’: Susan Graham.” BBC Music Magazine, Vol. 12, No. 11 (2004): 24-27.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Copland, Aaron
Year: 1932
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X, 1 (November-December 1932): 91.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X. 2 (January-February 1933): 87-92.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.Notes:
Discussion of selected songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.Source: Journal
Reprints:
Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, New York, 149-161. New York, NY: Whittlesey House, 1941.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Copland, Aaron. Música y músicos contemporáneos. Buenos Aires, Argentina: Losada, 1945.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Copland, Aaron. Charles Eliot Norton Lectures at Harvard University, 1951-1952.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952, 99, 111-114. Cambridge, MA: Harvard University Press, 1952.Source: Book
Reprints:
Copland, Aaron. <i>Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952</i>.<i> </i>New York, NY: New American Library Mentor Book, 1959. * Copland, Aaron. <i>Music and Imagination </i>[Musica e Imaginación]. Buenos Aires, Argentina: Emecé Editores, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Copland, Aaron. “Modern Music: Fresh and Different.” New York Times Magazine (March 13, 1955): 15, 60, 62.Source: Magazine
Reprints:
Copland, Aaron. “‘Are My Ears on Wrong?’ A Polemic.” In <i>Copland on Music</i>, 253-260. New York, NY: Doubleday, 1960. New York: W. W. Norton, 1963.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Copland, Aaron and Vivian Perlis
Year: 1984
Complete Citation:
Copland, Aaron, and Vivian Perlis. Copland: 1900 through 1942. New York, NY: St. Mar-tin’s Griffin, 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Copland, Aaron and Vivian Perlis. Copland Since 1943. New York, NY: St. Martin's Press, 1989.Notes:
Several Citations for Ives.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cordes, Joan Kunselman
Year: 1976
Complete Citation:
Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.Source: Ph.D Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Corner, Philip
Year: 1972
Complete Citation:
Corner, Philip. “Thoreau, Charles Ives, and contemporary music.” In Henry David Thoreau: Studies and Commentaries, edited by George Brenner, Paul A. Doyle, and Walter Harding.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Corner, Philip. “Charles Ives.” Soundings: Ives. Ruggles, Varèse (Spring 1974): 135-197.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers