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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Swafford, Jan

Year: 2017
Complete Citation:
Swafford, Jan. “Charles Ives (1874-1954).” In Language of the spirit: an introduction to classical music. New York, NY: Basic Books, 2017.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Thompson, Wendy

Year: 2003
Complete Citation:
Thompson, Wendy. “Charles Ives.” In Modern Composers. London, United Kingdom: Southwater, 2003.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Tomassini, Anthony, Allan Kozinn, Jeremy Eichler, Anne Midgette, and James R. Oestreich

Year: 2004
Complete Citation:
Tomassini, Anthony, Allan Kozinn, Jeremy Eichler, Anne Midgette, and James R. Oestreich. “A Radical in a Suit and Tie: The One and Only Charles Ives.” The New York Times, May 7, 2004.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Treider, Leo

Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.
Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses

Usmanbas, Ilhan

Year: 1974
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative- Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 254-256. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Voss, Egon

Year: 1970
Complete Citation:
Voss, Egon. “Bemerkungen zur Musik von Charles E. Ives (1874-1954).” Musik und Kirche 40 (1970): 145-148.
Source: Journal
V. General Music Studies
C. Other

Walker, Donald

Year: 2002
Complete Citation:
Walker, Donald. “Charles Edward Ives.” In Music of the twentieth-century avant-garde: a biocritical sourcebook, edited by Sitsky, Larry. Westport, CT: Greenwood Press, 2002.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Ward, William R.

Year: 1987
Complete Citation:
Ward, William R. “Charles Ives.” In Examples for the study of musical style. Dubuque, IA: W.C. Brown Publisher, 1987.
Source: Chapter in Book
V. General Music Studies

White, Michael

Year: 1996
Complete Citation:
White, Michael. “Music: Your Ives Questions Answered.” The Independent, January 28, 1996, 14.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Yates, Frances A.

Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.
Source: Chapter in Book
V. General Music Studies
C. Other

Yates, Peter

Year: 1944
Complete Citation:
Yates, Peter. “Charles Ives.” Arts and Architecture 61, no. 9 (September 1944): 20, 40.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1950
Complete Citation:
Yates, Peter. “Charles Ives.” Arts and Architecture LXVII 10 (February 1950).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1967
Complete Citation:
Yates, Peter. “An Introduction to Charles Ives.” In Twentieth Century Music: Its Evolution from the End of the Harmonic Era into the Present Era of Sound, 252-270. New York: Pantheon Books, 1967.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1975
Complete Citation:
Yates, Peter. “Charles Ives: An American Composer.” Parnassus: Poetry in Review 3 (1975): 318-28.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1975
Complete Citation:
Yates, Peter. “Charles Ives, an American Composer,” Parnassus: Poetry in Review 3, No. 2 (Spring-Summer 1975).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Zanten, Garth van

Year: 1951
Complete Citation:
Zanten, Garth van. “Charles Ives, Amerikaans componist.” Mens en Melodie 6/5 (May 1951): 145-148.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses