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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Davenport, Guy

Year: 1997
Complete Citation:
Davenport, Guy. Charles Ives. Boston, MA: David R. Godine, 1997.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Dayton. Daryl D

Year: 1975-1976
Complete Citation:
Dayton, Daryl D. “Charles Ives in the USIA.” Student Musicologists at Min-nesota 6 (1975-76): 87-94.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

Dickinson, Peter

Year: 1964
Complete Citation:
Dickinson, Peter. “Charles Ives 1874-1954.” The Musical Times, vol. 105, no. 1455 (1964): 347-349.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter, “On Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 243-246. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Dickinson, Peter. “On Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 243-246. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donner, Gregory

Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donohue, John, and Michael Petersen

Year: 1974
Complete Citation:
Donohue, John, and Michael Petersen. “Connecticut's Music Man: Charles Ives.” Hartford Courant Magazine, October 20, 1974, 2-9.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Downes, Olin

Complete Citation:
Downes, Olin. “An American Composer.” In Musical Quarterly 4 (January 1918): 23-36.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1927
Complete Citation:
Downes, Olin. “Music: Pro Musica Society.” The New York Times, January 30, 1927.
Source: Newspaper
V. General Music Studies

Drew, James

Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Dubal, David

Year: 2001
Complete Citation:
Dubal, David. The essential canon of classical music. New York, NY: North Point Press, 2001.
Source: Book
V. General Music Studies
C. Other

Duke, Vernon [Vladimir Dukelsky]

Year: 1963
Complete Citation:
Duke, Vernon [Vladimir Dukelsky]. Listen Here! A Critical Essay on Music Depreciation. New York, NY: Ivan Obolensky, 1963.
Notes:

Gives numerous interesting and incisive remarks about various musical topics and com- posers; places Ives high in the overall picture of American music.

Source: Book
V. General Music Studies
C. Other

Emons, Hans

Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.
Source: Book
V. General Music Studies
C. Other

Epperson, Gordon

Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.
Source: Book
V. General Music Studies
C. Other

Espinosa, Guillermo, ed.

Year: 1956
Complete Citation:
Espinosa, Giullermo, ed. Compositores de Americas/Composers of the Americas, edited by Guillermo Espinosa. Volume 2. Washington, D.C: Secretaría General, Organización de los Estados Americanos, 1956.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Evett, Robert

Year: 1954
Complete Citation:
Evett, Robert. “Music Letter: A Post-mortem for Mr. Ives.” Kenyon Review 16 (Autumn 1954): 628-636.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles