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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Slominsky, Nicholas

Year: 1949
Complete Citation:
Slominsky, Nicholas. “Etude Musical Miscellany.” Etude, April, 1949.
Source: Magazine
V. General Music Studies
C. Other

Slominsky, Nicolas

Year: 1930
Complete Citation:
Slominsky, Nicolas. “Composers of New England,” Modern Music, Vol. 7, No. 2 (February 1930): 24-27.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Smith, Catherine Parsons

Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Smith, Jane Stuart and Betty Carlson

Year: 1987
Complete Citation:
Smith, Jane Stuart and Betty Carlson. “Charles Ives.” In The Gift of Music: Great Composers and Their Influences. Westchester, IL: Crossway Books, 1987.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Smith, Norman E.

Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.
Notes:

Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.

Source: Book
V. General Music Studies
C. Other

Solie, Ruth A., ed.

Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Solomon, Maynard

Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.
Notes:

This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.

Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Staines, Joe and Duncan Clark

Year: 2005
Complete Citation:
Staines, Joe and Duncan Clark. “Charles Ives.” In The rough guide to classical music. London, United Kingdom; New York, NY: Rough Guides, 2005.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Staines, Joe and Jonathan Buckley

Year: 1998
Complete Citation:
Staines, Joe and Jonathan Buckley. “Charles Ives.” In The Rough Guide to Classical Music. Rough Guides, 1998.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Stiller, Andrew

Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Struble, John Warthen

Year: 1995
Complete Citation:
Struble, John Warthen. “Charles Ives (1874-1954).” In The history of American classical music: MacDowell through minimalism. New York, NY: Facts On File, 1995.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Sudik, Nancy F.

Year: Year unlisted
Complete Citation:
Sudik, Nancy F. “Charles Ives—Danbury's Most Famous Composer.” Housatonic Valley Tourism District. http://web.archive.org/web/20050527081247/http://www.housatonic.org/ives.html
Source: Online Resource
V. General Music Studies
A. Short Biographies and Profiles

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Swafford, Jan

Year: 1992
Complete Citation:
Swafford, Jan. “Charles Ives.” In The Vintage guide to classical music. New York: Vintage Books, 1992.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1999
Complete Citation:
Swafford, Jan. “Ives, Charles.” In American National Biography, edited by John A. Garraty and Mark C. Carnes, 713-715. Volume 11. New York, NY: Oxford Uni-versity Press, 1999.
Source: Encyclopedia
V. General Music Studies
A. Short Biographies and Profiles
Year: 2004
Complete Citation:
Swafford, Jan. “Charles Edward Ives (1874-1954).” Music Clubs Magazine, Vol. 84, No. 1 (2004): 16-21.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 2017
Complete Citation:
Swafford, Jan. “Charles Ives (1874-1954).” In Language of the spirit: an introduction to classical music. New York, NY: Basic Books, 2017.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles