decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kadar, Georges

Year: 1973
Complete Citation:
Kadar, Georges. Musique de notre temps. Tournai, Belgium: Casterman, 1973.
Source: Book
V. General Music Studies

Kamien, Roger

Year: 1976
Complete Citation:
Kamien, Roger. Charles Ives. In Music: An Appreciation. New York, NY: McGraw-Hill, 1976.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kerner, Leighton

Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.
Notes:

Regarding The Unanswered Question.

Source: Newspaper
V. General Music Studies
C. Other

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kinscella, Hazel Gertrude

Year: 1940
Complete Citation:
Kinscella, Hazel Gertrude. History Sings: Background of American Music, 499. Lincoln, NE: University Publishing Company, 1940.
Notes:

Footnote only.

Source: Book
Reprints:

Second Edition, 1948. Third Edition, 1957: 505. Fourth Edition, 1970: 384-385.

V. General Music Studies

Kirkpatrick, John

Year: 1963
Complete Citation:
Kirkpatrick, John. “What Music Meant to Charles Ives,” Cornell University Music Review, Vol. 6 (1963).
Notes:

Given as a talk at Ithaca College on May 22, 1963 (for the chapter of Pi Kappa Lambda).

Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Knapp, David

Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.
Source: Journal
V. General Music Studies
C. Other

Kolleritsch, Otto

Year: 1987
Complete Citation:
Kolleritsch, Otto. Entgrenzungen in der Musik. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1987.
Source: Book
V. General Music Studies

Konold, Wulf

Year: 1974
Complete Citation:
Konold, Wulf. “Arkadien in Neuengland: Zum hundersten Geburtstag von Charles Edward Ives.” Musica 28/5 (1974): 468-469.
Source: Journal
V. General Music Studies

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In The time of music: new meanings, new temporalities, new listening strategies. New York, NY: Schirmer Books, 1988.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1991
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In Listening to music: the essential guide to the classical repertoire. London, United Kingdom: Lime Tree, 1991.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Kramer, Lawrence

Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Krenek, Ernst

Year: 1937
Complete Citation:
Krenek, Ernst. Music: Here and Now, 79-80. Translated by Bartold Fles. New York, NY: W.W. Norton, 1939.
Source: Book
V. General Music Studies

Křenek, Ernst

Year: 1955
Complete Citation:
Křenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitschrift 95 (1955): 141-144.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1955
Complete Citation:
Krenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitung 95/4 (April 1955): 141-144.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Kupferberg, Herbert

Year: 1974
Complete Citation:
Kupferberg, Herbert. “Ives Centennial Hits Crescendo.” National Observer, October 26, 1974: 26.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ladell, Madeleine

Year: 2004
Complete Citation:
Ladell, Madeleine. “Charles Ives: Life & Times.” BBC Music Magazine, Vol. 12, No. 10 (2004): 51.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles