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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rosenfeld, Paul

Year: 1933
Complete Citation:
Rosenfeld, Paul. “Two Native Groups.” The New Republic, July 5, 1933, 209-210.
Source: Magazine
V. General Music Studies

Rosenfeld, Paul, ed. Herbert A. Leibowitz

Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.
Source: Book
V. General Music Studies
C. Other

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Russell, John

Year: 1981
Complete Citation:
Russell, John. “How Art Makes Us Feel at Home in the World.” The New York Times. April 12, 1981, sec. 2: 1, 37.
Notes:

Just occasionally, too, music in the hands of a great eccentric can operate in terms of place, as happened when Charles Ives wrote Central Park in the Dark.

Source: Journal
V. General Music Studies

Ryan, Norman

Year: 1994
Complete Citation:
Ryan, Norman. Composer handbook: a brief introduction to composers. New York, NY: G. Schirmer, 1994.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salazar, Adolfo

Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.
Source: Book
V. General Music Studies
C. Other

Salter, Lionel

Year: 1978
Complete Citation:
Salter, Lionel. “Charles Ives.” In The Gramophone guide to classical composers. New York, NY: Crescent Books, 1978.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. "Ives." In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Salzman, Eric. “Charles Ives, American.” Commentary, August 1968, 37-43.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1969
Complete Citation:
Salzman, Eric. “The Revolution in Music.” New American Review 6 (Spring 1969): 76-96.
Notes:

A passing mention of Ives and his Universe Sym-phony.

Source: Journal
Reprints:

<i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 455--471. New York, NY: Charles Scribner’s, 1972.

V. General Music Studies

Saminsky, Lazare

Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.
Source: Book
Reprints:

Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.

V. General Music Studies
C. Other
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Saxena, Shalini

Year: 2014
Complete Citation:
Saxena, Shalini. “Charles Ives.” In Top 101 Musicians. New York, NY: Rosen Publishing, 2014.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Schans, Peter J.

Year: 1955
Complete Citation:
Schans, Peter J. “More about Charles Ives.” MONY Talks 14/7 (April 1955) 14/7: 8, 9, 15.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Schiff, David

Year: 1997
Complete Citation:
Schiff, David. “The Many Faces of Ives.” Atlantic Monthly 279/1, January 1997, 84-87.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford

Year: 1996
Complete Citation:
Schiff, David, Stuart Feder, Tom Owens, and Jan Swafford. “Ives the Person [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles