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Bibliography

Berger, Arthur

Year: 1954
Complete Citation:
Berger, Arthur. “Spotlight 011 the Moderns: Ives in Retrospective.” Saturday Review 37, no.31 (July 30, 1954): 62-64.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Berger, Arthur V.

Year: 1954
Complete Citation:
Berger, Arthur V. “Ives in Retrospect.” Saturday Review, July 31, 1954, 62.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Bergman, Timothy

Year: 1993
Complete Citation:
Bergman, Timothy. “Symphony no. 2 by Charles Ives: a basis for interpretation.” D.M.A. Thesis, University of Miami, 1993.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Berns, John Edgar

Year: 2005
Complete Citation:
Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.
Notes:

Volume II of Berns’ dissertation. Volume I is an original composition. Makes reference to Robert P. Morgan’ “Spatial Form in Ives.”

Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Berneking, Vicki Lynn

Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bernlef, J.

Year: 1969
Complete Citation:
Bernlef, J. “Charles Ives: Ein Korte Biografi.” In Charles Ives. Amsterdam, Netherlands: De Bezige Bij, 1969.
Notes:

Dutch translations by J. Bernlef.

Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Bernlef, J., and Reinbert de Leeuw

Year: 1969
Complete Citation:
Bernlef, J and Reinbert de Leeuw. Charles Ives. Amsterdam, Netherlands: De Bezige Bij, 1969.
Notes:

Includes comments on Ives by Igor Stravinsky (123--126); Dutch translation of the infamous Schoenberg misquota-tion (127); additional comments about John Cage (128-130).

Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.
Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship

Bestor, Charles

Year: 1976
Complete Citation:
Bestor, Charles. “The Second symphony: an introduction to the compositional approach and technique of Charles Ives.” D.M.A. diss., University of Colorado, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Blaufuss, Margaret Joanna

Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Blim, Dan

Year: 2013
Complete Citation:
Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Blitzstein, Marc

Year: 1936
Complete Citation:
Blitzstein, Marc. “Ives.” La Revue Musicale, Paris (February 1936).
Notes:

Available at Yale University Music Library Archival Collection, Box 55, folder 3, page 79.

Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Boardman, Katherine R.

Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.
Notes:

Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.

Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Boatwright, Howard

Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.
Notes:

B.A. thesis in graphic arts

Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bonham, Robert John

Year: 1981
Complete Citation:
Bonham, Robert John. “Some common aesthetic tendencies manifested in examples of pioneer American cabins and Old Harp music and in selected works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Booth, Earl W.

Year: 1974
Complete Citation:
Booth, Earl W. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Borgman, George Allan

Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.
Notes:

Numerous citations for Ives.

Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bottemanne, Jean-Paul

Year: 1995
Complete Citation:
Bottemanne, Jean-Paul. “L’esprit musical de Charles Ives, 1874-1954: essai sur les specificites techniques et esthitiques de I'oeuvre de Charles Ives.” Doctoral thesis, University of Paris 8, 1995.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bounds, Charles Evans

Year: 1951
Complete Citation:
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.” M.M. Thesis, North Texas State College, 1951.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays