Image
decorative banner image

Bibliography

Chernov, Eric B.

Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chien, Gloria

Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Childs, Barney

Year: 1976
Complete Citation:
Childs, Barney. “Some Anniversaries.” American Society of University Composers Proceedings 9 and 10 (1976): 13-27.
Source: Journal
V. General Music Studies
C. Other

Clarke, Gary E.

Year: 1965
Complete Citation:
Clarke, Gary E. "A study of the music of Charles Edward Ives.” B.A. thesis, Cornell College, 1965.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Clark, Philip Steven

Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Clark, Sondra Rae

Year: 1972
Complete Citation:
Clark, Sondra Rae. “The Evolving Concord Sonata: A Study of Choices and Variants in the Music of Charles Ives.” Ph.D. diss., Stanford University, 1972.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Clements, Andrew

Year: 1996
Complete Citation:
Clements, Andrew. “All about Ives.” The Guardian, January 19, 1996, 210.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Clooney, Denise von Glahn

Year: 1995
Complete Citation:
Clooney, Denise von Glahn. “Reconciliations: Time, Space, and the American Place in Music of Charles Ives.” Ph.D. diss., University of Washington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Coakley, John P.

Year: 1982
Complete Citation:
Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cohen, Jacob

Year: 2017
Complete Citation:
Cohen, Jacob. “Constructions of New England Identity and Place in American Music, 1885-1935.” Graduate Center, CUNY, 2017.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cohn, Arthur

Year: 1961
Complete Citation:
Cohn, Arthur. The Collector's Twentieth Century Music in the Western Hemisphere, 133-149. Philadelphia, PA: Lippincott & Co., 1961.
Source: Book
Reprints:

Reprint: New York: Da Capo Press, 1972.

V. General Music Studies
A. Short Biographies and Profiles

Cole, Hugo

Year: 1975
Complete Citation:
Cole, Hugo. “Music: ‘Like the Rocks Were Grown.’” Country Life, Janu-ary 2, 1975, 16.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Cole, Michael S.

Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Coleman, Donna

Year: 1986
Complete Citation:
Coleman, Donna. “A source study of the fifth movement of Charles Ives's first piano sonata: toward a critical edition.” D.M.A. thesis, University of Rochester, 1986.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cooney, Denise Van Glahn

Year: 1995
Complete Citation:
Cooney, Denise von Glahn. “Reconciliations: Time, Space and American Place in the Music of Charles Ives.” Ph.D. diss., University of Wash-ington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Copland, Aaron

Year: 1963
Complete Citation:
Copland, Aaron. Charles Ives. The Estate of Aaron Copland. 1963.
Notes:

Unpublished article for The American People's Encyclopedia. Two typewritten pages from two handwritten pages. There are also four typewritten pages on which Copland ex-panded his ideas on Ives's style.

Source: Unpublished Article
V. General Music Studies
A. Short Biographies and Profiles
Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.
Source: Book
V. General Music Studies
C. Other

Corcoran, Gary

Year: 1969
Complete Citation:
Corcoran, Gary. “Still More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cornett-Murtada, Vanessa

Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Covington, Katherine Russell

Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations