Lyman, Zachary Taft
Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Lynch, Janet Nichols
Year: 1990
Complete Citation:
Nichols, Janet. American Music Makers: An Introduction to American Com-posers. New York, NY: Walker & Co., 1990.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Lynn, Debra J.
Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Machlis, Joseph
Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In American Composers of Our Time. New York, NY: Thomas Y. Crowell Company, 1963.Source: Chapter in Book
Reprints: Machlis, Joseph. “Charles Ives.” In <i>American Composers of Our Time</i>. Westport, CT: Greenwood Press, 1990.
V. General Music Studies
A. Short Biographies and Profiles
Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In The enjoyment of music: an introduction to perceptive listening. New York, NY: W.W. Norton, 1963.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Magill, Frank N.
Year: 1987
Complete Citation:
Magill, Frank N. “Charles Ives.” In Great lives from history: American series. Pasadena, CA: Salem Press, 1987.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Maltz, Richard Steven
Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Marcotte, Gilles
Year: 1997
Complete Citation:
Marcotte, Gilles. “L’amateur de musique: Des musiques qui parlent.” Lib-erie 39/231 (June 1997): 180-186.Source: Journal
V. General Music Studies
C. Other
Martin, Warren Charles
Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mason, Daniel Gregory
Complete Citation:
Mason, Daniel Gregory. Contemporary Composers. New York, New York: The Macmillan Company, 1918.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Massey, Drew
Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McCandless, William Edgar
Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McClure, John
Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely Giant.” Gramophone 44/527 (April 1967): 516-517.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
McDonald, Charlene Harb
Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McDonald, Matthew James
Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McMillan, Thomas
Year: 1968
Complete Citation:
McMillan, Thomas. “Rhythms of Charles Ives.” In 20th century orchestral snare drum studies. Glenview, IL: Creative Music, 1968.Source: Book
V. General Music Studies
Metzmacher, Ingo
Year: 2005
Complete Citation:
Ingo Metzmacher. “Charles Edward Ives.” In Keine Angst vor neuen Tonen: Eine Reise in die Welt die Musik, 36-42. Berlin, Germany: Rowohlt Verlag, 2005.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Mickelsen, William Cooper
Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Miller, Ashleé Michele
Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Milligan, Terry Gilbert
Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
