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Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.
Bibliography
Genres
Rinehart, John McLain
Year: 1970
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Robinson, Bradley Craig
Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Robison, Richard William
Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Roeder, Matthew James
Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Roller, Jonathan Brian
Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rosenfeld, Paul
Complete Citation:
Rosenfeld, Paul. “Ives.” In Discoveries of a Music Critic, 315--324. New York, NY: Harcourt, Brace, and Company, 1936.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1929
Complete Citation:
Rosenfeld, Paul. An Hour with American Music. Philadelphia, PA: J.B. Lippincott, 1929.Source: Book
V. General Music Studies
C. Other
C. Other
Year: 1932
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives.” The New Republic, July 20, 1932, 262-264.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Year: 1933
Complete Citation:
Rosenfeld, Paul. “Two Native Groups.” The New Republic, July 5, 1933, 209-210.Source: Magazine
V. General Music Studies
Rosenfeld, Paul, ed. Herbert A. Leibowitz
Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.Source: Book
V. General Music Studies
C. Other
C. Other
Rossiter, Frank R.
Year: 1970
Complete Citation:
Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rothstein, Evan
Year: 2001
Complete Citation:
Rothstein, Evan. “‘What Its Signs of Promise Are’: The tradition of developing variation and the problem of “folkloristic” music in Ives’s First violin sonata. D. Mus. thesis, Indiana University, 2001.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ruhleder, Kathleen
Year: 2012
Complete Citation:
Ruhleder, Kathleen. “Art Songs of Charles Ives Accessible to Beginning Singers.” D.M.A. diss., Arizona State University, 2012.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Russell, John
Year: 1981
Complete Citation:
Russell, John. “How Art Makes Us Feel at Home in the World.” The New York Times. April 12, 1981, sec. 2: 1, 37.Notes:
Just occasionally, too, music in the hands of a great eccentric can operate in terms of place, as happened when Charles Ives wrote Central Park in the Dark.
Source: Journal
V. General Music Studies
Ryan, Norman
Year: 1994
Complete Citation:
Ryan, Norman. Composer handbook: a brief introduction to composers. New York, NY: G. Schirmer, 1994.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles
Rycenga, Joanne
Year: 1992
Complete Citation:
Rycenga, Jennifer Joanne. “The Composer as a Religious Person in the Context of Pluralism.” Ph.D. diss., Graduate Theological Union, 1992.Notes:
Compares Ives’s Transcendentalist philosophy with his compositional materials.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Sadoff, Ronald
Year: 1986
Complete Citation:
Sadoff, Ronald. “The Solo Piano Music of Charles Ives: A Performance Guide.” Ph.D. diss., New York University, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Sahr, Hadassah Gallup
Year: 1969
Complete Citation:
Sahr, Hadassah Gallup. “Performance and analytic study of selected piano music by American composers.” Ed.D. diss., Columbia University, 1969.Source: Ed. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Salazar, Adolfo
Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.Source: Book
V. General Music Studies
C. Other
C. Other
Salter, Lionel
Year: 1978
Complete Citation:
Salter, Lionel. “Charles Ives.” In The Gramophone guide to classical composers. New York, NY: Crescent Books, 1978.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
A. Short Biographies and Profiles