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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ward, William R.

Year: 1987
Complete Citation:
Ward, William R. “Charles Ives.” In Examples for the study of musical style. Dubuque, IA: W.C. Brown Publisher, 1987.
Source: Chapter in Book
V. General Music Studies

Waxman, Jonathan

Year: 2012
Complete Citation:
Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

White, Bruce Howard

Year: 1978
Complete Citation:
White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

White, Michael

Year: 1996
Complete Citation:
White, Michael. “Music: Your Ives Questions Answered.” The Independent, January 28, 1996, 14.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Wild, Chris

Year: 2018
Complete Citation:
Wild, Chris. “Charles Ives’ Three Places in New England: An Interpretation and a Conductor’s Guide.” Bienen School of Music, Northwestern University, 2018.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, Donald M.

Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, Lawrence

Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.
Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, P.T.

Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Winters, Thomas Dyer

Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wolf, Henry Samuel

Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.
Notes:

Ives is one of eight com-posers whose sonatas are discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Yates, Frances A.

Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.
Source: Chapter in Book
V. General Music Studies
C. Other

Yates, Peter

Year: 1944
Complete Citation:
Yates, Peter. “Charles Ives.” Arts and Architecture 61, no. 9 (September 1944): 20, 40.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1950
Complete Citation:
Yates, Peter. “Charles Ives.” Arts and Architecture LXVII 10 (February 1950).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1967
Complete Citation:
Yates, Peter. “An Introduction to Charles Ives.” In Twentieth Century Music: Its Evolution from the End of the Harmonic Era into the Present Era of Sound, 252-270. New York: Pantheon Books, 1967.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1975
Complete Citation:
Yates, Peter. “Charles Ives, an American Composer,” Parnassus: Poetry in Review 3, No. 2 (Spring-Summer 1975).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1975
Complete Citation:
Yates, Peter. “Charles Ives: An American Composer.” Parnassus: Poetry in Review 3 (1975): 318-28.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Young III, Harmon Griffith

Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Zanten, Garth van

Year: 1951
Complete Citation:
Zanten, Garth van. “Charles Ives, Amerikaans componist.” Mens en Melodie 6/5 (May 1951): 145-148.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations