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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cohen, Jacob

Year: 2017
Complete Citation:
Cohen, Jacob. “Constructions of New England Identity and Place in American Music, 1885-1935.” Graduate Center, CUNY, 2017.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cohn, Arthur

Year: 1961
Complete Citation:
Cohn, Arthur. The Collector's Twentieth Century Music in the Western Hemisphere, 133-149. Philadelphia, PA: Lippincott & Co., 1961.
Source: Book
Reprints:

Reprint: New York: Da Capo Press, 1972.

V. General Music Studies
A. Short Biographies and Profiles

Cole, Hugo

Year: 1975
Complete Citation:
Cole, Hugo. “Music: ‘Like the Rocks Were Grown.’” Country Life, Janu-ary 2, 1975, 16.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Coleman, Donna

Year: 1986
Complete Citation:
Coleman, Donna. “A source study of the fifth movement of Charles Ives's first piano sonata: toward a critical edition.” D.M.A. thesis, University of Rochester, 1986.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cooney, Denise Van Glahn

Year: 1995
Complete Citation:
Cooney, Denise von Glahn. “Reconciliations: Time, Space and American Place in the Music of Charles Ives.” Ph.D. diss., University of Wash-ington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Copland, Aaron

Year: 1963
Complete Citation:
Copland, Aaron. Charles Ives. The Estate of Aaron Copland. 1963.
Notes:

Unpublished article for The American People's Encyclopedia. Two typewritten pages from two handwritten pages. There are also four typewritten pages on which Copland ex-panded his ideas on Ives's style.

Source: Unpublished Article
V. General Music Studies
A. Short Biographies and Profiles
Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.
Source: Book
V. General Music Studies
C. Other

Corcoran, Gary

Year: 1969
Complete Citation:
Corcoran, Gary. “Still More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cornett-Murtada, Vanessa

Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Covington, Katherine Russell

Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cowell, Henry

Year: 1932
Complete Citation:
Cowell, Henry. “American Composers, IX: Charles Ives.” Modern Music, Vol. 10, No. 1 (1932): 24.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers IX: Charles Ives.” Modern Music 9/10 (November 1932).
Source: Journal
Reprints:

Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium</i>, edited by Henry Cowell. Stanford, CA: Stanford University Press, 1933: 128-135. * Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium, </i>edited by Henry Cowell. New York: Frederick Ungar Publishing<br>Co., 1962: 128--145.

V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. “Charles Ives.” Perspectives, USA 13 (Autumn 1955): 38-56.
Source: Book
V. General Music Studies
Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives. Perspektiven 5/13 (1955): 120-138.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry and Sidney Cowell

Year: 1955
Complete Citation:
Cowell, Henry. “Charles Ives.” Perspectives USA (Autumn 1955): 38-56.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Crawford, John C. and Dorothy L. Crawford

Year: 1993
Complete Citation:
Crawford, John C. and Dorothy L. Crawford. Charles Ives. In Expressionism in Twentieth-Century Music. Bloomington, IN: Indiana University Press, 1993.
Source: Chapter in Book
V. General Music Studies
C. Other

Crump, Peter

Year: 1965
Complete Citation:
Peter Crump, “Ives Then and Now.” Composer 17 (October 1965): 12.
Source: Journal
V. General Music Studies

Crutchfield, Will

Year: 1987
Complete Citation:
Crutchfield, Will. “Why Our Greatest Composer Needs Serious Attention.” The New York Times, May 10, 1987, sec. 2, 19, 22.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Cuffiani, Barbara

Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Daniel, Oliver

Year: 1976
Complete Citation:
Daniel, Oliver. Ives, 1874-1974. New York, NY: Broadcast Music, Inc., 1976.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles