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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cohn, Arthur

Year: 1961
Complete Citation:
Cohn, Arthur. The Collector's Twentieth Century Music in the Western Hemisphere, 133-149. Philadelphia, PA: Lippincott & Co., 1961.
Source: Book
Reprints:

Reprint: New York: Da Capo Press, 1972.

V. General Music Studies
A. Short Biographies and Profiles

Cole, Hugo

Year: 1975
Complete Citation:
Cole, Hugo. “Music: ‘Like the Rocks Were Grown.’” Country Life, Janu-ary 2, 1975, 16.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Cole, Michael S.

Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Conway, Bret K.

Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Copland, Aaron

Year: 1963
Complete Citation:
Copland, Aaron. Charles Ives. The Estate of Aaron Copland. 1963.
Notes:

Unpublished article for The American People's Encyclopedia. Two typewritten pages from two handwritten pages. There are also four typewritten pages on which Copland ex-panded his ideas on Ives's style.

Source: Unpublished Article
V. General Music Studies
A. Short Biographies and Profiles
Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.
Source: Book
V. General Music Studies
C. Other

Corcoran, Gary

Year: 1969
Complete Citation:
Corcoran, Gary. “Still More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry

Year: 1932
Complete Citation:
Cowell, Henry. “American Composers, IX: Charles Ives.” Modern Music, Vol. 10, No. 1 (1932): 24.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers IX: Charles Ives.” Modern Music 9/10 (November 1932).
Source: Journal
Reprints:

Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium</i>, edited by Henry Cowell. Stanford, CA: Stanford University Press, 1933: 128-135. * Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium, </i>edited by Henry Cowell. New York: Frederick Ungar Publishing<br>Co., 1962: 128--145.

V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. “Charles Ives.” Perspectives, USA 13 (Autumn 1955): 38-56.
Source: Book
V. General Music Studies
Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives. Perspektiven 5/13 (1955): 120-138.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry and Sidney Cowell

Year: 1955
Complete Citation:
Cowell, Henry. “Charles Ives.” Perspectives USA (Autumn 1955): 38-56.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crawford, John C. and Dorothy L. Crawford

Year: 1993
Complete Citation:
Crawford, John C. and Dorothy L. Crawford. Charles Ives. In Expressionism in Twentieth-Century Music. Bloomington, IN: Indiana University Press, 1993.
Source: Chapter in Book
V. General Music Studies
C. Other

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crump, Peter

Year: 1965
Complete Citation:
Peter Crump, “Ives Then and Now.” Composer 17 (October 1965): 12.
Source: Journal
V. General Music Studies

Crutchfield, Will

Year: 1987
Complete Citation:
Crutchfield, Will. “Why Our Greatest Composer Needs Serious Attention.” The New York Times, May 10, 1987, sec. 2, 19, 22.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses