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Bibliography

Salzman, Eric

Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Samaroff, Olga

Year: 1927
Complete Citation:
Olga Samaroff, “Music.” New York Evening Post (January 31, 1927): 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Saminsky, Lazare

Year: 1931
Complete Citation:
Saminsky, Lazare. “Chroniques et Notes: États--Unis, La Musique a New York, Philadelphia et Boston.” La Revue Musicale 12/120 (November 1931): 355-356.
Notes:

Quotation from article: “Boston Chamber Symphony, dirige par Nicolas Slo-nimsky, musicien brillant, nous fit connaitre une <i>Suite </i>[No. 2] tres singuliere et tres americaine de Charles Ives.”

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Lazare Saminsky, “Etats-Unis: Concerts et Premieres a New-York.” La Revue Musicale 12, 113 (March 1931): 258.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Encounters Stimulating and Otherwise.” Modern Music IX, 1 (November-December 1931): 39.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.
Source: Book
Reprints:

Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.

V. General Music Studies
C. Other

Samuel, Claude

Year: 2001
Complete Citation:
Samuel, Claude. “Charles Ives: “Three-Page Sonata. The Anti-Abolitionist Riots. Study no. 20. Varied Air and Variations. Scene Episode. Piano Sonata no. 2.”” Diapason: le magazine du disque et de la musique vivante (2001): 92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Samuel, Claude. “22 Février 1951: Création de la Symphonie no2 de Ives.” Diapason: le magazine du disque et de la musique vivante (2010): 66.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sanborn, Pitts

Year: 1928
Complete Citation:
Pitts Sanborn. “Pro Musica Gives Its First Referendum Program Concert.” New York Telegram (November 15, 1928): 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sandow, Greg

Year: 2000
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sargeant, Winthrop

Year: 1958
Complete Citation:
Sargeant, Winthrop. “Saluting Mr. Ives.” The New Yorker, October 11, 1958.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1958
Complete Citation:
Sargeant, Winthrop. “Music Events: Opening Concert.” The New Yorker 34 (October 11, 1958): 168-171.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Sargeant, Winthrop. “Musical Events: Fourth Symphony Performed by American Symphony Orchestra.” The New Yorker 41, no. 12 (May 8, 1965): 169.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sawer, David

Year: 1999
Complete Citation:
Sawer, David. “20th Century Masterworks: Charles Ives, “The Unanswered Question.”” BBC Music Magazine, Vol. 7, No. 9 (1999): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Saxena, Shalini

Year: 2014
Complete Citation:
Saxena, Shalini. “Charles Ives.” In Top 101 Musicians. New York, NY: Rosen Publishing, 2014.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Sayers, Kari

Year: 2012
Complete Citation:
Sayers, Kari. “Peninsula Symphony Delivers the Unexpected with Flair and Virtuosity.” Daily Breeze (Torrance, CA), May 2, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schaffner, Karen

Year: 2005
Complete Citation:
Schaffner, Karen. “Performances and Lectures Focus on Composer Charles Ives: FINAL Edition.” The Arizona Daily Star, March 4, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schans, Peter J.

Year: 1955
Complete Citation:
Schans, Peter J. “More about Charles Ives.” MONY Talks 14/7 (April 1955) 14/7: 8, 9, 15.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Scheinin, Richard

Year: 2014
Complete Citation:
Scheinin, Richard. “Review: Ives Quartet Deconstructs Henry Cowell's ‘Mosaic.’” Oakland Tribune, February 22, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Concert and Context.” Wall Street Journal, August 15, 1996, sec. A, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances