decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rosenfeld, Paul

Year: 1932
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives.” The New Republic, July 20, 1932, 262-264.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1933
Complete Citation:
Rosenfeld, Paul. “Two Native Groups.” The New Republic, July 5, 1933, 209-210.
Source: Magazine
V. General Music Studies

Rosenfeld, Paul, ed. Herbert A. Leibowitz

Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.
Source: Book
V. General Music Studies
C. Other

Russell, John

Year: 1981
Complete Citation:
Russell, John. “How Art Makes Us Feel at Home in the World.” The New York Times. April 12, 1981, sec. 2: 1, 37.
Notes:

Just occasionally, too, music in the hands of a great eccentric can operate in terms of place, as happened when Charles Ives wrote Central Park in the Dark.

Source: Journal
V. General Music Studies

Ryan, Norman

Year: 1994
Complete Citation:
Ryan, Norman. Composer handbook: a brief introduction to composers. New York, NY: G. Schirmer, 1994.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Rydberg, Göran

Year: 1998
Complete Citation:
Rydberg, Göran. P2-tips: Egendomlig Satie och universell Ives. Musik: Tidningen för Klassiskt, Folkmusik och Jazz, No. 4 (1998): 11.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rye, Matthew

Year: 2003
Complete Citation:
Rye, Matthew. “CDs Classical: 3.” Daily Telegraph (London, England), July 5, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Salazar, Adolfo

Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.
Source: Book
V. General Music Studies
C. Other

Salter, Lionel

Year: 1978
Complete Citation:
Salter, Lionel. “Charles Ives.” In The Gramophone guide to classical composers. New York, NY: Crescent Books, 1978.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Salzman, Eric

Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once.” The New York Times. May 27, 1962, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. "Ives." In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “Charles Ives, American.” Commentary, August 1968, 37-43.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1969
Complete Citation:
Salzman, Eric. “The Revolution in Music.” New American Review 6 (Spring 1969): 76-96.
Notes:

A passing mention of Ives and his Universe Sym-phony.

Source: Journal
Reprints:

<i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 455--471. New York, NY: Charles Scribner’s, 1972.

V. General Music Studies
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Saminsky, Lazare

Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.
Source: Book
Reprints:

Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.

V. General Music Studies
C. Other