Serebrier, José
Year: 1975
Complete Citation:
Serebrier, José. “Ives for Orchestra.” The Instrumentalist 29 (February 1975): 40-41.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives—A Composer For All Directions.” Stereo Review 35, no. 1 (July 1975): 48-51.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives.” Stereo Review (1975): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Serebrier, José and John Kirkpatrick
Year: 1974
Complete Citation:
Serebrier, José, and John Kirkpatrick. “Charles Ives’ Fourth.” Symphony News 25, no. 5 (1974), 11-12.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Sherwood, Gayle
Year: 2001
Complete Citation:
Sherwood, Gayle. “Charles Ives and ‘Our National Malady.’” Journal of the American Musicological Society 54/3 (Fall 2001): 555-584.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Shirley, Wayne
Year: 1967
Complete Citation:
Shirley, Wayne. “Ives’s ‘Holidays': A Glorious ‘Fourth,’ and No Anticli-max.” High Fidelity/Musical America 17/9, September 1967, 79-80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Shirley, Wayne. “The Challenge of Ives Brings a New Round of Chal-lengers.” High Fidelity/Musical America 18/6, June 1968, 80-81.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Shore, Jay
Year: 1971
Complete Citation:
Shore, Jay. “Record: Calcium Light Night.” The Rolling Stone 84 (June 10, 1971): 46.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Siegmeister, Elie
Year: 1943
Complete Citation:
Siegmeister, Elie. “Charles Ives.” In The music lover’s handbook. New York: William Morrow and Company, 1943.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1973
Complete Citation:
Siegmeister, Elie. The new music lover’s handbook. Irvington-on-Hudson, NY: Harvey House, Inc., 1973.Source: Book
V. General Music Studies
C. Other
Simon, Eric
Year: 1968
Complete Citation:
Simon, Eric. “Der späte Ruhm des seltsamen Charles Ives” [The Be-lated Fame to the Singular Charles Ives]. HiFi--Stereophonie (January 1968) 7/1: 58-59.Notes: The uniqueness of the composer’s style is emphasized; Ives is compared to Silvestre Revueltas and Leos Janacek.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Simon, Jeff
Year: 2016
Complete Citation:
Simon, Jeff. “Listening Post: New Jazz Trio to Hallwalls, All-Ives Disc from Seattle.” TCA Regional News, January 28, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Slominsky, Nicholas
Year: 1949
Complete Citation:
Slominsky, Nicholas. “Etude Musical Miscellany.” Etude, April, 1949.Source: Magazine
V. General Music Studies
C. Other
Slominsky, Nicolas
Year: 1930
Complete Citation:
Slominsky, Nicolas. “Composers of New England,” Modern Music, Vol. 7, No. 2 (February 1930): 24-27.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Smith, Delos
Year: 1966
Complete Citation:
Smith, Delos. “Both Ives, Mahler Works Recorded.” The Austin Statesman, February 9, 1966, 34. Feb 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Smith, Jane Stuart and Betty Carlson
Year: 1987
Complete Citation:
Smith, Jane Stuart and Betty Carlson. “Charles Ives.” In The Gift of Music: Great Composers and Their Influences. Westchester, IL: Crossway Books, 1987.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Smith, Ken
Year: 2004
Complete Citation:
Ken Smith. “The Principal of Chaos.” Gramophone 82/981 (July 2004): 38--41.Notes: A rather comprehensive review of recordings of the symphonies [D078. D079, D083, D085, D097, D098, D116, D156, D157, D217, D306, D333, D351, D365, D383, D440, D446, D448, D457, D467, D560, D583] to determine preferred ones. Includes a drawing by Neale Osborne.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Smith, Norman E.
Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.Notes: Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.
Source: Book
V. General Music Studies
C. Other
Smith, Steve
Year: 2002
Complete Citation:
Smith, Steve. “The Classical Score: American Maverick.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 114, No. 6 (2002): 18.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Smith, Steve; Holden, Stephen; Schweitzer, Vivien
Year: 2009
Complete Citation:
Smith, Steve, Stephen Holden, and Vivien Schweitzer. “Recordings.” 21st Century Music, Vol. 16, No. 3 (2009): 12.Source: Journal (recording review or list)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews