Lück, Hartmut
Year: 1982
Complete Citation:
Lück, Hartmut. “‘Immer an der Grenze zur Unspielbarkeit’/Kauziger Sonderling und musikalischer Revolutionar: Der amerikanische Komponist Charles Ives.” Musik und Medizin 8/3 (February 1982): 55-58, 61.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Lunday, Elizabeth and Zucca, Mario
Year: 2009
Complete Citation:
Lunday, Elizabeth and Zucca, Mario. “Charles Ives.” In Secret Lives of Great Composers: What Your Teachers Never Told You about the World’s Musical Masters. Philadelphia, PA: Quirk Books, 2009.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Lynch, Janet Nichols
Year: 1990
Complete Citation:
Nichols, Janet. American Music Makers: An Introduction to American Com-posers. New York, NY: Walker & Co., 1990.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Machlis, Joseph
Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In The enjoyment of music: an introduction to perceptive listening. New York, NY: W.W. Norton, 1963.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In American Composers of Our Time. New York, NY: Thomas Y. Crowell Company, 1963.Source: Chapter in Book
Reprints: Machlis, Joseph. “Charles Ives.” In <i>American Composers of Our Time</i>. Westport, CT: Greenwood Press, 1990.
V. General Music Studies
A. Short Biographies and Profiles
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Magill, Frank N.
Year: 1987
Complete Citation:
Magill, Frank N. “Charles Ives.” In Great lives from history: American series. Pasadena, CA: Salem Press, 1987.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Mainieri, Mike
Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.
NYC Records, 6015, 1995, CD.Notes: Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>
Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Majoros, David, compiler
Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-Notes: Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Marcotte, Gilles
Year: 1997
Complete Citation:
Marcotte, Gilles. “L’amateur de musique: Des musiques qui parlent.” Lib-erie 39/231 (June 1997): 180-186.Source: Journal
V. General Music Studies
C. Other
Martin, J.
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Martin, John
Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Martin, Michael Rheta
Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.Notes: A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Mason, Daniel Gregory
Complete Citation:
Mason, Daniel Gregory. Contemporary Composers. New York, New York: The Macmillan Company, 1918.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
McClure, John
Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely Giant.” Gramophone 44/527 (April 1967): 516-517.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
McDonagh, Don
Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
McMillan, Thomas
Year: 1968
Complete Citation:
McMillan, Thomas. “Rhythms of Charles Ives.” In 20th century orchestral snare drum studies. Glenview, IL: Creative Music, 1968.Source: Book
V. General Music Studies
Metzmacher, Ingo
Year: 2005
Complete Citation:
Ingo Metzmacher. “Charles Edward Ives.” In Keine Angst vor neuen Tonen: Eine Reise in die Welt die Musik, 36-42. Berlin, Germany: Rowohlt Verlag, 2005.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Molinari, Leticia
Year: 2017
Source: Online article
V. General Music Studies
A. Short Biographies and Profiles