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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ellison, Mary

Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Emerson, Ralph Waldo

Complete Citation:
Emerson, Ralph Waldo. “Quotation and Originality.” Complete Works of Ralph Waldo Emerson. Boston/New York: Houghton Mifflin, 1903. Vol-ume 8: 201: Letters and Social Aims.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Emmery, Laura

Year: 2013
Complete Citation:
Emmery, Laura. “An American Modernist: Teatime with Elliott Carter.” Tempo, Vol. 67 (2013): 22-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmery, Laura and Elliot Carter

Year: 2013
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emmerik, Paul van

Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Emons, Hans

Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.
Source: Book
V. General Music Studies
C. Other

Engel, Lehman

Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

English, David

Year: 2001
Complete Citation:
English, David. “How Ives Won [Response to the Harmonist].” The New Yorker 7, January 22, 2001.
Notes:

Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.

Source: Magazine
VI. Topical Studies
Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).
Notes:

Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.

Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Epperson, Gordon

Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.
Source: Book
V. General Music Studies
C. Other

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Ericson, Raymond. “Retrospective Cowell Program Honors the Music Experimenter.” The New York Times (March 20, 1969): 55.
Notes:

A review of a concert. Only mention of Ives: “A member of the audience sported a button ‘Ives Lives.’ This reference to the great innovator in American music, Charles Ives, might just as well have read ‘Cowell Lives.’”

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Espinosa, Guillermo, ed.

Year: 1956
Complete Citation:
Espinosa, Giullermo, ed. Compositores de Americas/Composers of the Americas, edited by Guillermo Espinosa. Volume 2. Washington, D.C: Secretaría General, Organización de los Estados Americanos, 1956.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Etheridge, Elizabeth

Year: 1991
Complete Citation:
Etheridge, Elizabeth. “Ives the Insurance man.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
VI. Topical Studies
D. Insurance

Evett, Robert

Year: 1954
Complete Citation:
Evett, Robert. “Music Letter: A Post-mortem for Mr. Ives.” Kenyon Review 16 (Autumn 1954): 628-636.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1969
Complete Citation:
Evett, Robert. “Music: Shadow and Substance in Ives.” The Atlantic CCXXIII (May 1969): 110-111.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Ewen, David

Year: 1934
Complete Citation:
Ewen, David. Composers of Today. New York, NY: Wilson, 1934: 132-133.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1942
Complete Citation:
Ewen, David. The Book of Modern Composers, 17. New York, NY: Alfred A Knopf, 1942.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.
Notes:

Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”

Source: Book
VI. Topical Studies
L. Ives and America