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Bibliography

Smith, Jane Stuart and Betty Carlson

Year: 1987
Complete Citation:
Smith, Jane Stuart and Betty Carlson. “Charles Ives.” In The Gift of Music: Great Composers and Their Influences. Westchester, IL: Crossway Books, 1987.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Smith, Moses

Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, Norman E.

Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.
Notes:

Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.

Source: Book
V. General Music Studies
C. Other

Smith, William A.

Year: 1983
Complete Citation:
Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Snapp, Kenneth

Year: 1977
Complete Citation:
Snapp, Kenneth. “Build a Band—And Educate It, Too.” Instrumentalist 32/2 (September 1977): 52-53.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Sofonea, Traian

Year: 1978
Complete Citation:
Sofonea, Traian. “Charles Ives: un grande compositore americano che operò con slancio messianico in compo assicurativo.” Generali VI (1978): 35-36.
Source: Journal
VI. Topical Studies
D. Insurance

Solie, Ruth A., ed.

Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Solomon, Maynard

Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.
Notes:

This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.

Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Spackman, S. G. F.

Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Specq, François

Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.
Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy

Spies, B., and W. Weyer

Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Spiker, John D.

Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spurling, Christina

Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.
Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Staines, Joe and Duncan Clark

Year: 2005
Complete Citation:
Staines, Joe and Duncan Clark. “Charles Ives.” In The rough guide to classical music. London, United Kingdom; New York, NY: Rough Guides, 2005.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Staines, Joe and Jonathan Buckley

Year: 1998
Complete Citation:
Staines, Joe and Jonathan Buckley. “Charles Ives.” In The Rough Guide to Classical Music. Rough Guides, 1998.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Stambler, Bernard

Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers