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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cott, Jonathan

Year: 1974
Complete Citation:
Cott, Jonathan. “Charles Ives, Musical Inventor.” The New York Times, Octo-ber 20, 1974, sec. D, 21, 26.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “America Takes a Front Rank in Year’s Modernist Output.” Musical America 41, no. 23 (March 28, 1925): 5, 35.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1931
Complete Citation:
Cowell, Henry. “The Development of Modern Music.” Ohio State Uni-versity Bulletin 36/3 (September 15, 1931): 375--379.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers IX: Charles Ives.” Modern Music 9/10 (November 1932).
Source: Journal
Reprints:

Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium</i>, edited by Henry Cowell. Stanford, CA: Stanford University Press, 1933: 128-135. * Cowell, Henry. “Charles E. Ives.” <i>American Composers on American Music: A Symposium, </i>edited by Henry Cowell. New York: Frederick Ungar Publishing<br>Co., 1962: 128--145.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1932
Complete Citation:
Cowell, Henry. “American Composers, IX: Charles Ives.” Modern Music, Vol. 10, No. 1 (1932): 24.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1933
Complete Citation:
Cowell, Henry. “Toward Neo-Primitivism.” Modern Music X, 3 (March-April 1933): 150-153.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1934
Complete Citation:
Cowell, Henry. “Recent Creative Tendencies in American Music.” Sovietskaya Muzyka [Soviet Music] VII (June 1934): 3-19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives. Perspektiven 5/13 (1955): 120-138.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Cowell, Henry and Sidney Cowell

Year: 1955
Complete Citation:
Cowell, Henry. “Charles Ives.” Perspectives USA (Autumn 1955): 38-56.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Crump, Peter

Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Daniel, Oliver

Year: 1976
Complete Citation:
Daniel, Oliver. Ives, 1874-1974. New York, NY: Broadcast Music, Inc., 1976.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Danuser, Hermann

Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Davenport, Guy

Year: 1997
Complete Citation:
Davenport, Guy. Charles Ives. Boston, MA: David R. Godine, 1997.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

De La Motte-Haber, Helga

Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Dickinson, Peter

Year: 1964
Complete Citation:
Dickinson, Peter. “Charles Ives 1874-1954.” The Musical Times, vol. 105, no. 1455 (1964): 347-349.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Dickinson, Peter, “On Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 243-246. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Dickinson, Peter. “On Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 243-246. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles