Bourgeois, Jacques
Year: 1967
Complete Citation:
Bourgeois, Jacques. “Charles Ives: Musicien perdu et retrouve.” Infor-mation & Documents 240 (March 15, 1967): 28--31.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Bowmar, Edith M. and Jean Keuterickx
Year: 1966
Complete Citation:
Bowmar, Edith M. and Jean Keuterickx. “Charles Ives.” In Meet the composers: portraits of composers. Set 2, Modern. North Hollywood, CA: Bowmar Records, 1966.Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Bradshaw, James Robert McKeel
Year: 2014
Complete Citation:
Bradshaw, James Robert McKeel. “Historical and musical comparison of cello works by David Stanley Smith and the Fourth violin sonata by Charles Ives.” D.M.A. Thesis, University of Oklahoma, 2014.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bredeson, Carmen and Ralph Thibodeau
Year: 2002
Complete Citation:
Bredeson, Carmen and Ralph Thibodeau. “Charles Ives.” In Ten great American Composers. Berkeley Heights, NJ: Enslow, 2002.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Brock, Gordon R.
Year: 1996
Complete Citation:
Brock, Gordon R. “Four works for wind ensemble.” D.M.A. thesis, University of Colorado, 1996.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Brooks, William Fordyce
Year: 1976
Complete Citation:
Brooks, William. “Sources and Errata List for Charles Ives’ Symphony No. 4, Movement II.” D.M.A. diss., University of Illinois, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Brown, Geoff
Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives.” The Times, October 12, 1999, 49.Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles
Bruderer, Conrad
Year: 1968
Complete Citation:
Bruderer, Conrad. “The Studies of Charles Ives.” Ph.D. diss., Indiana University, 1968.Notes: Bruderer, Conrad. 1. A Comparison of the Preludes found in Common in the Clavier-Buchlein Vor Wilhelm Friedemann Bach, “the Well Tempered Clavier.” 2. A Study of the Etudes of Charles Ives, ProQuest Dissertations Publishing, 1969.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bruhn, Christopher Edwin
Year: 2006
Complete Citation:
Bruhn, Christopher Edwin. “Ives’s multiverse: the Concord Sonata as American cosmology.” Ph.D. diss., City University of New York, 2006Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bruzaud, Radosveta
Year: 2002
Complete Citation:
Bruzaud, Radosveta. “Esquisse de la Personnalité Musicale de Charles Ives.” L’éducation Musicale (2002).Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Buckoff, Ronald Nick
Year: 1988
Complete Citation:
Buckoff, Ronald Nick. “Charles Ives, a history and bibliography of criticism (1920-1939), and Ives's influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. Diss., Cornell University, 1988.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Buddin, David E.
Complete Citation:
Buddin, David E. “A few lessons in transformation from Ives' Waltz-Rondo: Litany for orchestra.” Ph.D. diss., Rutgers University, 2006.Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Burkholder, J. Peter
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.Source: Ph.D. dissertation
Reprints: Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Charles Ives: The Man and His Music.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 25-27. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
V. General Music Studies
A. Short Biographies and Profiles
Burton, Anthony
Year: 2004
Complete Citation:
Burton, Anthony. “Composer of the Month: Charles Ives.” BBC Music Magazine 12/10 (June 2004, 2004): 48--52.Notes: A general biography with sidebar of "Style Notes." Collage by Matt Herring with photograph of Ives {Halley Erskine, E244) and various Ives related items. Displays a "Life and Times"chart compiled by Madeline Ladell (51).
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Call, William Anson
Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Carleton, Chantal
Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Carlson, Paul Bollinger
Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations